Character Quotes
-
I'm always in this shape, that shape, whatever shape you like the most. I am always in various stages of shapes. If the woman needs to be more soft I'll gain weight and then I'll lose weight for another film that I did where I wanted her to be more wiry. I enjoy using my body as something that helps me get to a character.
Sandra Bullock
-
Teenage girls, please don’t worry about being super popular in high school, or being the best actress in high school, or the best athlete. Not only do people not care about any of that the second you graduate, but when you get older, if you reference your successes in high school too much, it actually makes you look kind of pitiful, like some babbling old Tennessee Williams character with nothing else going on in her current life. What I’ve noticed is that almost no one who was a big star in high school is also big star later in life. For us overlooked kids, it’s so wonderfully fair.
Mindy Kaling
-
The danger with playing someone tough is that the character can become two-dimensional and mean and nobody likes her.
Rebecca Mader
-
My family and our neighbors and friends thought of Africa and its Africans as extensions of the stereotyped characters that we saw in movies and on television in films such as 'Tarzan' and in programs such as 'Ramar of the Jungle' and 'Sheena, Queen of the Jungle.'
Henry Louis Gates
-
The Wise Man believes profoundly in silence - the sign of a perfect equilibrium. Silence is the absolute poise or balance of body, mind and spirit. The man who preserves his selfhood ever calm and unshaken by the storms of existence - not a leaf, as it were, astire on the tree, not a ripple upon the surface of the shinning pool-his, in the mind of the unlettered sage, is the ideal attitude and conduct of life. Silence is the cornerstone of character.
Charles Alexander Eastman
-
Just because Rachel [from the Girl On The Train] is an unreliable character doesn't mean she has sex with anybody who walks by her. It was important to keep her a little virginal.
Erin Cressida Wilson
-
We need to be more grateful. I think there is no true character without gratitude. It is one of the marks of a real strong character to have a feeling of thanksgiving and gratitude for blessings. We need more of that spirit in our homes, in our daily associations, in the church, everywhere. It doesn't cost anything, and it is so easy to cultivate.
Ezra Taft Benson
-
There is nothing in the world that does not speak to us. Everything and everybody reveals its own nature, character and secrets continuously. The more open our inner senses, the more we understand the voice of everything.
Hazrat Inayat Khan
-
My favorite new character isn't new, but more fleshed out - Gadd, the alekeep at the Tunnel. He's got him some teeth and tats. His history is hinted at in Discourse, and I plan to explore it more in later books.
Paul S. Kemp
-
To be a character actor is to be open, to be a chameleon.
Giancarlo Esposito
-
I think one of the successes of Gladiator is how we manage to turn on a dime the character from one thing to another where you believe he is one thing and he is something very different.
Ridley Scott
-
So much emotion can be brought in an animated film that's very hard to get in a live-action film. I haven't quite put my finger on why, but it might be because the characters can make facial expression that, if you made them in a movie, they'd call them corny.
Steve Martin
-
Grace in women has more effect than beauty. We sometimes see a certain fine self-possession, an habitual voluptuousness of character, which reposes on its own sensations and derives pleasure from all around it, that is more irresistible than any other attraction. There is an air of languid enjoyment in such persons, "in their eyes, in their arms, and their hands, and their face," which robs us of ourselves, and draws us by a secret sympathy towards them.
William Hazlitt
-
The tricky or boastful gods of ancient myths and primitive folk tales are characters of the same kind that turn up in Faulkner or Tennessee Williams.
Northrop Frye
-
In order to avoid sentimentality and to be able to write the screenplay with the kind of humor and irony necessary to keep the story moving, I needed to distance myself as much as I could from the characters, to try to get to a point where I could view them objectively.
Hirokazu Kore-eda
-
If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life.
Raymond Carver
-
You don't get the pay-off when you're playing a quiet character, so sometimes you want to just throw out all your work and say, "Okay, let me do something really funny or gimmicky, just so that I can get some attention in this scene."
Viola Davis
-
I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes.
Neil LaBute
