Character Quotes
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Or maybe I was just in progress. Hatching another character for another extraordinary story, yet untold.
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... the basic principles of the military services are unchangeable. Courage and candor, obedience and comradeship, love of fatherland and loyalty to the State: these are ever the distinguishing characteristics of the soldier and sailor. Building character through intelligent training and education is always the first and greatest goal.
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I think with actors, we tend to get rid of characters - and not get rid of them as in discard them or throw them away, but it's just that you take that jacket off because you're going to be putting a different jacket on.
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Any time you learn something new about your character, that's really exciting.
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I think that inevitably, the trouble our characters go through is a kind of metaphor for what's happening in ourselves.
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How many out-of-character things did I need to do, I wondered, before the world rearranged itself around me?
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The unique character of political activity lies, quite literally, in its publicity.
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We just assume all the great actors are in New York first and then L.A. second, and it's so not true. There's such amazing talent everywhere. It's exciting that now that there are these sort of new Hollywoods or new filmmaking communities that really benefit from these great faces and character actors and leading actors that just are fresh and exciting and bring an authenticity to the piece.
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The formidable power of geography determines the character and performance of a people.
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Put simply the novel stands between us and the hardening concept of statistical man. There is no other medium in which we can live for so long and so intimately with a character. That is the service a novel renders.
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If I have no connection with the character, then it's all fake - it's just blah, blah, blah.
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I definitely acknowledge that The Matrix and Trinity had an influence on female action-oriented characters in television and in film. I think it's awesome.
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The key to the understanding of the character of the conscious lies in the region of the unconscious.
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The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves itto the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.
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Actors are always looking for ways to build a character.
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When you fight you are in a situation where failure can happen. This chance of failure forges your character in many ways.
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There's a certain type of character that you can't help but come in contact with growing up and living in Brooklyn and Long Island. A certain mixture of moxie, heart, and a wise guy sense of humor.
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Mediocre people have an answer for everything and are astonished at nothing. They always want to have the air of knowing better than you what you are going to tell them; when, in their turn, they begin to speak, they repeat to you with the greatest confidence, as if dealing with their own property, the things that they have heard you say yourself at some other place. A capable and superior look is the natural accompaniment of this type of character.
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Good character is not formed in a week or a month. It is created little by little, day by day. Protracted and patient effort is needed to develop good character.
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Inner conflict is really fun to play because there's a lot going on, and the choices - when you've got a character with internal conflict - the choices you make have broader ramifications because they have inner ramifications and ramifications in the world.
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A writer often wants to change a reader’s perception about the world, which is a political act. But we have to work through character, so helping the reader to feel close to fictional characters is the gate through which we have to usher the reader.
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You use your emotions to try and find them in the character that you're playing.
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I think there's an initial shedding of the skin of a character when you've played them for so long, almost like a snake losing its skin. But when a job is done, I kind of walk away from it because I know that I need to prep for whatever else I'm going onto - I need to get back to being myself, which... Who knows exactly who that is, with all the talking voices in my head. You know, back to being a bit of a blank slate again. It becomes a necessity as an actor - at least for the way that I act.
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Nothing adds such dignity to character as the recognition of one's self- sovereignty.
