Character Quotes
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	You can construct the character of a man and his age not only from what he does and says, but from what he fails to say and do.   
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	I'm more interested in character. Character comes out of the work. Style is applied or imposed on it.   
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	Our character is but the stamp on our souls of the free choices of good and evil we have made through life.   
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	The characters I have the least in common with are the ones I have the greatest success with. The further a role is from my own experience, the more I try to deepen it.   
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	People tell me I'm in a genre kind of movie, but it never crossed my mind that The Matrix was genre. To me it was about, for me anyway, my character, I had this rock outside my door which said "faith" or "believe" or something, and I remember felt like that was my key into her, into Trinity. It was like she was the heart of it.   
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	There is a natural disposition with us to judge an author's personal character by the character of his works. We find it difficult to understand the common antithesis of a good writer and a bad man.   
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	I think a character in a comedy should not know they`re in a comedy.   
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	We may bend sometimes, but we don't break. There's a lot of character in that room   
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	The 'Inside-Out' approach to personal and interpersonal effectiveness means to start first with self; even more fundamentally, to start with the most inside part of self, with your paradigms, your character, and your motives. The inside-out approach says that private victories precede public victories, that making and keeping promises to ourselves recedes making and keeping promises to others. It says it is futile to put personality ahead of character, to try to improve relationships with others before improving ourselves.   
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	Its not a story in which the characters grow up, but a story in which they draw on something already inside them, brought out by the particular circumstances. I want my young friends to live like that, and I think they, too, have such a wish.   
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	The more routine that systematised activities are, the more nearly they are of the monotonous character seen in the habits of social animals and the less necessary are master builders; the more novel actions are, the more necessary are master builders. Dislike of the leader and the promoter, though linked emotionally to progressivism, is linked logically to total conservatism. Conversely, an authoritarian approach, natural enough in the instigator of new activities, is unjustified in the mere overseer of routines.   
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	Life is full of challenges. How you handle these challenges is what builds character. Never be afraid to be who you are.   
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	He's [Constable] a great painter as far as it goes, but I don't think he's remotely interesting. Not really. It's very pretty and it's very thorough, but it's not evocative, it's not dramatic, it doesn't do what Beethoven does - it doesn't shake you down to the roots of your soul, which Turner does. Constable is just very nice, basically. And moving on to personality, Constable was a very dull character.   
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	Life, whether in this world or any other, is the sum of our attainment, our experience, our character. The conditions are secondary. In what other world shall we be more surely than we are here?   
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	No government has the right to decide on the truth of scientific principles, nor to prescribe in any way the character of the questions investigated. Neither may a government determine the aesthetic value of artistic creations, nor limit the forms of literacy or artistic expression. Nor should it pronounce on the validity of economic, historic, religious, or philosophical doctrines. Instead it has a duty to its citizens to maintain the freedom, to let those citizens contribute to the further adventure and the development of the human race.   
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	I get to play a great character while working with great actors and great directors on a great show.   
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	Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action is through. That is all Plot ever should be. It is human desire let run, running, and reaching a goal. It cannot be mechanical. It can only be dynamic.   
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	I've been talking about the character of these guys for quite awhile and I think you saw it tonight. It is something we can and will build on.   
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	Sympathetic characters usually have a voice. They usually don't have any trouble being heard.   
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	Scouting ought to be about building character, not about sex. Period. Precious few parents enroll their boys in the Scouts to get a crash course in sexual orientation.   
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	A signature always reveals a man's character - and sometimes even his name.   
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	I didn't want to tell Mother I worked as a journalist. She thought I was a prostitute. Locking yourself in a room and inventing characters and conversations which do not exit is no way for a grown man to behave.   
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	I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.   
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	It is not for nothing that Skaldin in one part of his book quotes Adam Smith: we have seen that both his views and the character of his arguments in many respects repeat the theses of that great ideologist of the progressive bourgeoisie.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					