Character Quotes
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If you do not have an alert and curious interest in character and dramatic situation, if you have no visual imagination and are unable to distinguish between honest emotional reactions and sentimental approaches to life, you will never write a competent short story.
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I don't pretend to be the character. I am the character.
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You can construct the character of a man and his age not only from what he does and says, but from what he fails to say and do.
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Conservatism defends those coercive arrangements which a still-lingering savageness makes requisite. Radicalism endeavours to realize a state more in harmony with the character of the ideal man.
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The reasons which any man offers to you for his own conduct betray his opinion of your character.
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I definitely acknowledge that The Matrix and Trinity had an influence on female action-oriented characters in television and in film. I think it's awesome.
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There's nothing comparative to Damien the current Robin or any of the other characters. I love those characters. And this isn't, "This is better than that." I think a couple of people misread what we had said in the first issue about that stuff.
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Our character is but the stamp on our souls of the free choices of good and evil we have made through life.
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Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action is through. That is all Plot ever should be. It is human desire let run, running, and reaching a goal. It cannot be mechanical. It can only be dynamic.
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Perhaps the greatest definition I think of character and quality is people who when they're truly great rather than making you feel that tall they make you feel that tall, that they're greatness as it were improves you.
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What I look for is identifying what the utility of a character is to the telling of the story overall. If I can identify that from reading the script, then I've got a clear idea of whether or not I think the character is worth playing.
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Doing jobs that are completely different to the last thing I did pushes me as an actor to change as much as I can. It would be easy for me to stay in a similar vein of characters or jobs, but I'm drawn to challenging myself.
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I'm all for whatever it takes to get wherever you need to get with a character, as long as you don't wipe it on me.
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When you play a character that exists or existed, there's a stronger responsibility that you have. You owe that person and then you owe the family, you owe history, you owe the victims, the victims' families.
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'The Ways of a Woman in Love' is one of my very favorite early Johnny Cash songs. I like the way the lyric talks about the character walking by the girl's house and wishing he was the one in her arms.
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Every character in a story, I thought when I had folded up the phone, has both a purpose and a secret purpose.
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Unless the will is free, man has no freedom; and if he has no freedom he is not a moral agent, that is, he is incapable of moral action and also of moral character.
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When you've played Buffy - who's such a strong female role model - it's really hard for another female character to compare to her.
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I think part of my character has come from certain things happening to me that just made me realise life’s too short to give a shit… You just have to live it.
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Usually I approach to acting completely blindfolded. I read the script, I connect to the character, and then I try not to think about it too much until I'm there and I'm in wardrobe and I'm with the other actors and we're going through the scene once.
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(on Katharine Hepburn) She talks at you as though you were a microphone; she lectured the hell out of me on temperance and the evils of drink. She doesn't give a damn how she looks. I don't think she tries to be a character. I think she is one.
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Life is full of challenges. How you handle these challenges is what builds character. Never be afraid to be who you are.
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When it comes to thinking about how a character talks, there are literary and language considerations. For actors to be able to differentiate between themselves and the characters they are playing while at the same time remain in character and spontaneous requires a sophisticated combination of skills and spirit.
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Generally I wouldn't accept work on projects where I didn't agree with the sensibilities behind the main character.