Pretty Quotes
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I've worked really hard to bring something more to 'pretty girl' roles over the years. I consider it a challenge.
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To me, it always comes down to character and script and then director. If a character belongs to me, it's mine. We belong to each other, and I feel a fierce need to tell that story, and it just so happens that a lot of these characters have been residing in pretty dark worlds.
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One of the gamebook series I created, 'Fabled Lands', is also the name of my company, and the reason we named the company after it is that it was pretty revolutionary for its time.
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My dad drank pretty heavily, and he never missed a day of work in his life. So I never looked at drinking as a serious problem, but drugs to me are a serious problem. I think it's a generational thing. I think older people don't feel as uncomfortable around drinkers as they do around dopers.
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I have come to terms with the fact that it's called pop music - that's what I play, and that is what I write. I think it is a pretty broad category.
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I'm not a pretty princess, and I'm aware of that, so I like music that is really intense, really bold, and characters that in a way almost have a dark side and are kind of evil because, for me, that's when I feel my strongest and fiercest, when I'm not necessarily the good girl.
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It's the ultimate goal every day you wake up, to be happy. At the end of the week, you want to be happy. Happy in love, happy in work, happy in life, happy with yourself. It's pretty simple.
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You have to be pretty damned hot and thirsty to enjoy a soy-milk smoothie, but they were, so it was okay.
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With the video for Boulevard of Broken Dreams we were going for something a bit like Ladykillers, you know? Pretty and demented at the same time...like me!
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I don't really consider my work, on the whole, 'fringe' in my own mind; science fiction and fantasy have been pretty solidly in the mainstream for a while.
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I think L.A. is underrated, and I love L.A., and I was born in California. But I'm pretty sure New York is the best city in the world - at least for an American guy like me.
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New Zealand is a pretty no-nonsense place to work, like Australia. I mean it doesn't falter to anyone.
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I think Jack White is pretty dope. He's a little bit more crisp than me in his approach; he's always in a suit; he's always sharp. He's always cleaned up.
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The point of theatre is transformation: to make an extraordinary event out of ordinary material right in front of an audience's eyes. Where the germ of the idea came from is pretty much irrelevant. What matters to every theatre maker I know is speaking clearly to the audience 'right now.'
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I've always thought I'm pretty ugly.
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I feel like I've come off as an outspoken woman. Sometimes I think I've come off as confrontational. But I feel like it's been pretty fair. Those are parts of me.
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I know Dan Reynolds from Imagine Dragons. We went to the same church. I'm pretty sure he's still Mormon. I left the church long ago.
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Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.
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The remarkable thing about 9/11 was that journalism pretty much put down its badges. People didn't worry about reacting as human beings. People who weren't reporters reported. David Letterman was sort of a brilliant reporter for a second - but it was a way nobody had ever covered a story. They just presented what was inside themselves.
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I was for Gore. I thought that Gore and the Democrats were pretty clueless as to what Nader and the Greens represented, and they acted like bullies.
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My personal style depends on what I'm doing or where I am. I wear a lot of jeans and jean shorts and t-shirts, and I love leather jackets; it's pretty relaxed.
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I had a pretty sexual imagination for a kid.
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Comets at the time were considered by theologians and the general public alike as a sign of divine anger, and God must have seemed pretty pissed off to create this one - it occupied more than half of the visible sky.
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I'd asked for things like the 'Footloose' soundtrack and Michael Jackson's 'Thriller' for my birthdays, but I remember walking what felt like miles to this cassette shop called The Warehouse to buy Paul Simon's 'Graceland,' U2's 'Joshua Tree' and a Roberta Flack album. I had pretty good taste.
