Storytelling Quotes
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That's the type of thing you need to keep in mind when drawing comics. The storytelling. Consider the action and the space available to you, that's what will make it a great comics page. Once you've figured that out, you can always find/make the reference to support your storytelling decisions. So by all means, study film, but as with any reference, the results are better when they inform the craft and not dictate it.
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I do think there are always ways to create what seem like insurmountable powers, but then suddenly you find their limitations and that's the nature of comic book storytelling - always has been.
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What storyteller is adequate to her story? The story carries us along, bottles on the tide, each with our secret mesage and the fervent hope that it does not turn out to be blank.
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As much as I adore Agatha Christie - and I think people make this claim about murder mysteries in general - it's often a very conservative mode of storytelling. Usually it's the greedy, climbing, new-money slimeball who wants to take from the aristocracy.
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My concern 99% is about the storytelling, the emotion and all this. I never think about the format of anything until way far in the process and when we arrive to the fabrication of the thing then we start to say, "Okay right, what is the best thing we can do." I choose the car before to choose the color.
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I've always loved news. I've always loved storytelling and being where the scene is.
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Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.
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How objects are handed on is all about story-telling. I am giving you this because I love you. Or because it was given to me. Because I bought it somewhere special. Because you will care for it. Because it will complicate your life. Because it will make someone else envious. There is no easy story in legacy. What is remembered and what is forgotten?
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What I want to write about has changed somewhat, and the scope of the storytelling has changed accordingly.
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Visual storytelling of one kind or another has been around since cavemen were drawing on the walls.
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Story-telling is subject to two unavoidable defects,--frequent repetition and being soon exhausted; so that, whoever values this gift in himself, has need of a good memory, and ought frequently to shift his company.
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What kind of people we become depends crucially on the stories we are nurtured on.
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I think color, for a costume designer, is one of your biggest storytelling devices.
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The joke is the purest, most essential form of storytelling. Every word has to count.
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You have only so many chances to tell stories. I didn't want to be forever wedded to one form of storytelling when there are so many out there.
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For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.
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Storytelling excites me. Nothing gets me more juiced up than having an impact on people.
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I feel like there's lot of people who know finance and economics better than I do. There are lots of people who are better storytellers than I am. But the space that I occupy of storytelling about finance and economics is - more people want it than can do it.
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Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
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When we talk about LGBT characters on TV we're talking about the entire rainbow, and that includes trans people, and that includes non-binary people, people of color, women, differently-abled people. There is so much opportunity for storytelling there, and I hope that we continue to see more of that.
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You can take the high moral ground intellectually, but if it ever happens to you personally, I don't know that I could honestly say that I wouldn't want to kill someone who took someone away from me. So, it's a rich, fertile ground for great characters and great storytelling. That was the impetus.
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A big part of directing animation is deciding what you really want to do and making sure it's about something. My favorite thing about animation is the storytelling. You can really dig into the story and spend time with the writers. The writers don't just write and leave.
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The pilot is a sales tool; it introduces you to the characters and might set the template for what the show is meant to be, but there's so many boxes you have to check off on a pilot that it can sort of hurt the storytelling in a way.
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I get some flak for and some resistance from colleagues for because I'm interested in storytelling. I mean what I like about songwriting is songs used to tell a story.
