Characters Quotes
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My play Safe Sex was picked apart because critics thought it was untrue. It was a play in which no one had AIDS, but the characters talked about how it was going to change their lives.
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Unresolved dissonances between the characters and dispositions of the parents continue to reverberate in the nature of the child and make up the history of its inner sufferings.
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But people do the same thing with the Bible. They memorize all the fictional characters, the parameters and the rules of the game and think it's important, but I can't get excited about that myself.
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I would love to do some characters that have greater vulnerability. I don't know why. I know I can play these roles, but they're certainly not the only roles I can play.
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I'm drawn to characters who bear similarities to the protagonists in myths and legends.
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I am very sensitive about characters being annoying in movies.
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If you're doing gags, I think it's important to have characters who are as strong-willed and impactful as possible.
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I like the variety of characters that you can play in films, rather than playing the same role for 10 years as you might on a sitcom.
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I'm not going to experience the reality of hardship that sometimes my characters live in. I'm very cautious about that.
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I'm not interested in playing characters who see the world through my prism; I think the journey of understanding any character is to see how they tick and how they differ from you.
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Deeply affecting and compulsively readable, The Fifty-First State displays Lisa Borders' emotional acuity, first-rate skills as a storyteller, and profound empathy not only for her two compelling main characters but for an oft-neglected region and a disappearing way of life.
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It's the primordial characters of the Star Wars. It's the beautiful princess and the callow youth and the smartass that I played and the wise old warrior that Alec Guinness played. And it was a fairy tale. It was a fairy tale.
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I come to writing from hearing great stories as a child in Louisiana, where the mark of a person was his or her ability to be a raconteur. I also come to writing as a professional actress whose body has been trained to listen and smell and inhabit characters without judgment.
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In all my songs, I take on roles and play characters. It's a unique way to explore ideas and decisions I might not think or make in real life.
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It always takes awhile to find out who the characters are.
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I'm not sure if we're going to or not because what happens is I'd always love to see certain characters back, there's so many. Some of it has to do with, if we want them back, are they available and the other aspect is do they fit with the storyline we're telling.
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Sometimes I forget what I put in. I want to capture things in that way, where you're looking into your memory, a dream or hallucination. The characters become a mixture of archetypes, and that's what I like. You're trying to figure it out and your brain wants to categorize things, but it can't because of this motion. You want to solve the problem, but it never gets solved. It's like when you read a really good book and the story never leaves you.
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Trust your actors. That's why I work with the same actors time and time again. I encourage them to change the dialogue to achieve one thing: keep the characters honest.
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As a viewer, I care about people, I care about characters, I care about perspective.
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I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
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It is always the men we won't allow to make love to us, who take our characters away.
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Reality television paints a simple black-and-white world of good characters and bad characters; people we want to root for and people we want to see ruined. There is none of the gray ambiguity that colors real life. I no longer watch a lot of reality television, but sometimes I can't look away from 'Honey Boo Boo.' I just can't.
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The characters are telling you the story. I'm not telling you the story, they're going to do it. If I do it right, you will get the whole story.
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I think, above all, the characters in my novels feel universal to the readers.