Characters Quotes
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I don't know if make a conscious effort to vary the characters and subjects that I write about, but I do find myself keeping track of ideas that come along, as probably most writers do, and whatever seems most interesting to me when I flip through my notes before I begin a new story is usually what I will try to write about next.
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I'm happy to try on as many characters as I can.
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Every Man being conscious to himself, That he thinks, and that which his Mind is employ'd about whilst thinking, being the Ideas, that are there, 'tis past doubt, that Men have in their Minds several Ideas, such as are those expressed by the words, Whiteness, Hardness, Sweetness, Thinking, Motion, Man, Elephant, Army, Drunkenness, and others: It is in the first place then to be inquired, How he comes by them? I know it is a received Doctrine, That Men have native Ideas, and original Characters stamped upon their Minds, in their very first Being.
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I think, above all, the characters in my novels feel universal to the readers.
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I am tired of our characters being so incomplete. When do we ever save the day in a film? When does a Latino actor get to be the hero?
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Modeling is a lot of fun, but I prefer acting. It's so much fun to get to play different characters and transform into someone else for a while.
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I'm not sure if we're going to or not because what happens is I'd always love to see certain characters back, there's so many. Some of it has to do with, if we want them back, are they available and the other aspect is do they fit with the storyline we're telling.
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I'm basically drawn to defeated, injured, hurt, barely walking characters.
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I'm drawn to characters who bear similarities to the protagonists in myths and legends.
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I would love to do some characters that have greater vulnerability. I don't know why. I know I can play these roles, but they're certainly not the only roles I can play.
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People buy a game because they like the game and they want to play the game. And there are certain characters in games that people like, obviously. I don't know if a certain character's voice or lack of a certain character's voice can cause somebody to buy or not buy a game.
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I like the variety of characters that you can play in films, rather than playing the same role for 10 years as you might on a sitcom.
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At the end of the day, stand-up comedy is like acting when the audience are the other characters that I'm acting with.
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But people do the same thing with the Bible. They memorize all the fictional characters, the parameters and the rules of the game and think it's important, but I can't get excited about that myself.
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Yes, I can play younger than my age. But I can play characters older than I am, too. I'm not an actor who can just play the kid.
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If you're doing gags, I think it's important to have characters who are as strong-willed and impactful as possible.
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I use the Net for a lot of things besides e-mailing. I involve myself in chats with people as part of my research for characters.
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I hope that doing truthful portrayals of people in a variety of circumstances gives people a kind of subterranean link to those characters.
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Usually most characters I play are quite realistic.
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The most striking characters are sometimes the product of an infinity of little accidents.
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I'm not interested in playing characters who see the world through my prism; I think the journey of understanding any character is to see how they tick and how they differ from you.
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The characters are telling you the story. I'm not telling you the story, they're going to do it. If I do it right, you will get the whole story.
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From a purely craft standpoint, a simple character has a single motivation, while complex characters have two or three or more motivations, at least one of which is in direct conflict with another.
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What makes You Can't Take It With You so popular and a perennial favorite with student and amateur productions (it continues to be one of the top 10 best-selling plays year after year) is the breadth of characters and personalities on display: in age, race, gender, social status, a true cross section of society when the play was written and also true today in terms of the reality of the humanity on display.