Characters Quotes
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I like all my characters in one way or another, or at least I understand them.
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To create characters, one must build background. And one of the tools we use is improvisation.
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I don't like to think that maybe I'm just getting old. I'm not too excited about watching a huge explosion. I'm more interested in people and characters.
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Some period pieces are shot slightly objectively, a little bit, and some call it stuffy or dusty or old fashioned. I always felt that some of the films that I admire the most are the ones where they're intimate with the characters.
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Adults need more complex narratives. They have their own narratives. The main characters are themselves.
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I don't mind playing older characters. I find it interesting. There are parts I couldn't have got when I was 30 years old. So, it continues to interest me in the same way that it always did.
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I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and backdrop characters.
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I'd say I'm drawn to characters that ring true to me. Adolescence is a troubled time for everyone, so a lot of those characters have been troubled, tortured people. It's been a great way to navigate my adolescence by having these more troubled kids as an outlet.
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Someone who can search for something is happy. Searching gives a meaning to life. Nowadays it’s not so easy to find something you might be looking for. The most important thing, however, is the search itself, the way you take. It’s not so important where it leads. that’s why my characters are always looking for something, maybe only a cat, a sheep or a wife, but that is at least the beginning of a story.
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I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.
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I think that what I do is a form of pathetic fallacy, the literary trope in which nature is in sympathy with the mood of the story. I connect the physical setting and props in the story to the emotional state of the characters.
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For me, acting is like a therapy. I can express myself fully when I am acting and have blood in my veins. Even when I'm not working, I'm always living in my own world, imagining characters.
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I always let the characters guide the stories. They really let me know what they want to say and what action they want to happen.
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That's a long way of saying no, I'm always too bound up in thinking about the characters in whatever I'm working on and trying to make good to dwell on characters from previous books.
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Each painting is its own world, but a lot of times I do see the paintings as one page from a story. You can imagine what has happened before or after. Sometimes they are worded as being a part of a story, especially the paintings where characters are in conversation.
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So the characters that I choose, I like to make sure that they have depth and that they have some sort of bite. It's more fun.
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When my husband first read a draft, he said, "You spend too much time describing the characters outfits." He was right. I removed much of the clothes talk, but quite a bit remained.
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The only time in my career prior to that I played an evil character was in 'The Twilight Zone'.
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I don't tend to think of the characters i play as losers. I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way.
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The very term "turning pages" suggests nonstop action. But I am all about character and beautiful writing. I eat that up like popcorn. Whether a book is action-packed or not, all I need are well-written prose and quirky, fabulous characters to keep me going.
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When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.
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One of the things that I've been trying to do with my characters, one of the things that does lead to me turning things down, is I don't really want to repeat myself.
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My characters are all kind of geek archetypes of people I've encountered at gaming and comic book conventions.
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I've often tried to imagine my dream role and what that would truly mean. I'm not sure I've reached a clear picture of it yet, but I have always said the reason I wanted to act was ultimately to develop characters that evoke emotion and consequently change lives.
