Characters Quotes
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There are wolves hiding in the gray flock; characters who still know what freedom is. This is a ruler's worst nightmare.
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I think that what I do is a form of pathetic fallacy, the literary trope in which nature is in sympathy with the mood of the story. I connect the physical setting and props in the story to the emotional state of the characters.
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I'm very attracted to characters who don't necessarily make it easy to be loved.
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Television characters live inside our minds as though they're actual people. In fact, we know more about them than we do about most people in our physical lives.
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When you develop an entire feature length film from scratch the challenge is developing an entire feature length film from scratch! - the world and all of it's characters need to be created. There is no story/plot - all you have is a blank sheet of paper.
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I'm not going to let people who work in the United States Department of Justice have their characters be assailed without any basis.
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My job is to be a blank canvas & embody the characters that I'm playing.
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I really like getting inside the heads of female characters. I think I can do that well, and I enjoy it.
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My characters are never heroic. They are mostly lost and trying to find the right door to open and they end up opening the wrong doors.
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Some period pieces are shot slightly objectively, a little bit, and some call it stuffy or dusty or old fashioned. I always felt that some of the films that I admire the most are the ones where they're intimate with the characters.
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When you know psychologically what characters are feeling, then that plays out on how you dress a lot of times.
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I've often tried to imagine my dream role and what that would truly mean. I'm not sure I've reached a clear picture of it yet, but I have always said the reason I wanted to act was ultimately to develop characters that evoke emotion and consequently change lives.
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I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing.
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I grew up in a community where it was not the exception to be a good girl. It was sort of expected. And all of my friends were good girls too, and my boyfriends were good boys. Everybody was pretty nice. And that affects how I write my characters. There aren't very many bad guys in my novels.
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Early on, I got some criticism from other gay writers and queer theorists for being too 'assimilationist,' probably because my characters are outsiders, even in the gay world.
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I give everything to my work, and I like complex roles, characters that aren't obvious. I've been very lucky so far, and I'm dreaming of working with directors like Jane Campion, Susanne Bier and the Dardennes. But the gods will decide.
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I love the idea of writing these huge, bombastic characters; I'll stay in the superhero world as long as I can.
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I'd say I'm drawn to characters that ring true to me. Adolescence is a troubled time for everyone, so a lot of those characters have been troubled, tortured people. It's been a great way to navigate my adolescence by having these more troubled kids as an outlet.
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The value for me being in a mainline tradition is history and memory, which is not just Christian tradition but denominational tradition, and characters, you know, with real distinct flavors of ways to be Christian.
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I know that all cops are not sterling characters. But you have to have someone to root for. I balance it with rotten cops who will take a bribe, who will beat somebody up.
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M. J. Putney's writing has always been magical; now that she has turned her hand to the telling of a fantasy tale, it sparkles on the page. Stolen Magic has to be one of the most delightful reads of the year, a witty, finely crafted tale that enchants from beginning to end. As always, Putney's intelligent wordsmithery, scholarship, eye for detail, and ability to bring to life irresistible characters add up to enjoyment on every page. Fast-moving and fun!
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There is a certain period of the soul-culture when it begins to interfere with some of characters of typical beauty belonging to the bodily frame, the stirring of the intellect wearing down the flesh, and the moral enthusiasm burning its way out to heaven, through the emaciation of the earthen vessel; and there is, in this indication of subduing the mortal by the immortal part, an ideal glory of perhaps a purer and higher range than that of the more perfect material form. We conceive, I think, more nobly of the weak presence of Paul than of, the fair and ruddy countenance of David.
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Let's be honest, any show will live or die based on how good the characters are, how good the actors are, how complicated the relationships are, how grounded they are and how much heart they have.
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I honestly feel it is important for a director to get obsessed with the characters.
