Characters Quotes
-
With each one, I love working on the story and the characters. The stunts, each time, we keep pushing ourselves harder and harder. And they are stunts, so there's always a danger in doing them, but fortunately, I have not had a problem. I have not missed a day of work, ever, in my career. I'm always there early. And I train very hard, and we prepare very carefully for each one.
Tom Cruise
-
I do that with all of my characters. They have one of the flaws I have, and I zero in on that flaw.
Benjamin Alire Saenz
-
I start with characters, and then I start writing, and then, if I'm lucky, things start to happen.
Susan Choi
-
There are two lives to each of us, the life of our actions, and the life of our minds and hearts. History reveals men's deeds and their outward characters, but not themselves. There is a secret self that has its own life, unpenetrated and unguessed.
Edward Bulwer-Lytton, 1st Baron Lytton
-
I know you sometimes think that people are like books. But our lives don’t have neat logical plots, and we don’t always say beautiful, intelligent things like the characters in a novel. That’s not the way life is.
Benjamin Alire Saenz
-
I think one of the few times I've been involved with real-life characters was the story of Marie Bonaparte. I think it's really difficult to become someone that really existed.
Catherine Deneuve
-
I don't tend to think of the characters i play as losers. I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way.
Steve Buscemi
-
I'm so personally attached to all the characters I met and photographed over the years ... the anthology is like a photographic reliquary that could potentially preserve their grace, fierce joy, and restlessness.
Hedi Slimane
-
That's one of the benefits of having many seasons behind you, is you have this wealth of characters that you can reintroduce, and that have a history with your current regulars, so you don't have to start from scratch.
Alex Gansa
-
Developing a full length feature is much longer process than developing a short. With features you're typically dealing with more characters, plot, emotion, story arc, etc. - a short is the same only much... shorter!
Nathan Greno
-
I love playing confused, broken characters.
Nina Dobrev
-
Maybe that's the way I'm private - I respect the privacy of "my" characters? Anyway, we're getting close to the whole "relatability" and "likability" thing.
Ben Lerner
-
In the course of individual development, inherited characters appear, in general, earlier than adaptive ones, and the earlier a certain character appears in ontogeny, the further back must lie in time when it was acquired by its ancestors.
Ernst Haeckel
-
... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.
Marcel Proust
-
There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
Julia Glass
-
Our fans are really passionate and really protective of the characters on the show. That's just a testament to them, that kind of reaction.
Hale Appleman
-
There is a certain period of the soul-culture when it begins to interfere with some of characters of typical beauty belonging to the bodily frame, the stirring of the intellect wearing down the flesh, and the moral enthusiasm burning its way out to heaven, through the emaciation of the earthen vessel; and there is, in this indication of subduing the mortal by the immortal part, an ideal glory of perhaps a purer and higher range than that of the more perfect material form. We conceive, I think, more nobly of the weak presence of Paul than of, the fair and ruddy countenance of David.
John Ruskin
-
At this rate, he felt, he might even live to see the day when novelists described their characters by some other device than that of manoeuvring them into examining themselves in mirrors.
Edmund Crispin