Nick Swardson (Nicholas Roger Swardson) Quotes
It's rare that I've read a script where I'm like, "Oh, my god, it's hilarious!" All you want is a good skeleton and good characters. Then, you can go, "Okay, I can bring a lot to this. I can improvise and I can create something out of this."
Quotes to Explore
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Greed is the lack of confidence of one's own ability to create.
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Every story I create, creates me. I write to create myself.
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Segregation, in a sense, helped create and maintain black solidarity.
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Characters who don't suffer have no interest to me.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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You have to create something from nothing.
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All of my characters are less than perfect.
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We're not going to create a more equal society by not prodding at it, are we?
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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Wherever I go I make others feel good, and by doing this, I create life. I am a sting, and a dangerous instrument!
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All these big corporations like Amazon, those places have great distribution arms, but they can't create content.
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You have to be very careful with the art you create and you put out.
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If you look at somebody like Sam Bee, she got to create her own thing without any expectations that there was a show there. That was probably liberating for them.
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What happens in improv is you create your own storyline.
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I like to mix and match vintage with designer. It's how I create my own style.
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But when I was a little kid, I was always writing stories and illustrating little books that I would create.
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So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.
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For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
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If it were up to me, I'd rather create things that last long-term, but my thrill comes from reflecting what's going on now.
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Ever since I began to compose, I have remained true to my starting principle: not to write a page because no matter what public, or what pretty girl wanted it to be thus or thus; but to write solely as I myself thought best, and as it gave me pleasure.
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My life burned inside me. Even such as it was, it was the only record of me, and it was my only creation, and something in me would not accept that it was insignificant.
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It's rare that I've read a script where I'm like, "Oh, my god, it's hilarious!" All you want is a good skeleton and good characters. Then, you can go, "Okay, I can bring a lot to this. I can improvise and I can create something out of this."
