Different Quotes
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I think auditions are set up for failure because they're not really the set experience. There's no time to develop the character. You're just looking at someone... if someone's really good in an audition, sometimes they're not good in the film. It's something you learn when you're doing short films. It's the same way that some people do well at taking tests and some people don't. But when you're on a long-term filmmaking process it's a completely different feeling.
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I had different bands. I played with the Acoustic Warriors for the most part, without girl singers. It was the same kind of sound, acoustic guitar, bass, with violin and sometimes accordion, and the guys would sing, that kind of thing.
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Probably in time physiologists will be able to make nerves connecting the bodies of different people; this will have the advantage that we shall be able to feel another man's tooth aching.
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First round of the tournament being a Major, I think the butterflies were a little different than that.
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I think that every band is different, and in fact that's one of the biggest problems with the old-school music industry is that... one band would be successful according to a certain approach, and then every other band in the label gets sent down the same tube.
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The tone of every book is slightly different; there's a music that each has that is distinct from all the others.
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There are some decision-makers in the world whose version of sanity is a little different from what I consider the right one.
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With clothes, I like mixing what different designers do until it becomes a personal expression of how I'm feeling that day.
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My biggest hurdle usually has to do with concentration. I have a tendency to kind of start working on something, and then, all of a sudden, I'll totally divert and do something totally different.
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This much I have learned: human beings come with very different sets of wiring, different interests, different temperaments, different learning styles, different gifts, different temptations. These differences are tremendously important in the spiritual formation of human beings.
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There have been times when people who weren't my friends all of a sudden became my friend. I won't allow them to use me, but I have been pretty lucky to have friends who have supported me and who I have known since I was 12. They are still the same and they don't treat me any different.
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'Shell Shocked' is so different from what people are used to hearing from Ty Dolla Sign.
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Everyone has setbacks. I'm no different. I happen to have no legs. That's pretty much the fact.
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Perhaps because my relationship with my father went through such a long, bumpy time, it's been very important for me to work to try to keep lines of communication open between my sons and myself to try to avoid my father's mistakes. At least if you're making mistakes, make different mistakes.
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Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges, like the hardness of the key of c# major and from the softness of Db major - capturing, reflecting and improvising.
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Acting is something different to everybody. I just know that if you watch an actor or actress getting better and better, I think that's them just understanding themselves better and better.
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Imagine, if you can, four things that have very different sizes. First, the entire universe. Second, the planet Earth. Third, the nucleus of an atom. Fourth, a superstring. The step in size from each of these things to the next is roughly the same... twenty powers of ten....
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First off, from reading the script and knowing that I was going to be apart of it, I'm a huge 'Wizard of Oz' fan so to be involved in something that was connected to the original books was really exciting for me and it was very different than anything I had ever worked on before.
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Each director maintains a different personality. Either you get along, or you don't.
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The mode of consciousness of nonhuman species is quite different from human consciousness.
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When people listen to my music, I hope that they will notice that if you take a piece by a composer like Schubert, the major and the minor triad is an extermely important thing not merely as harmony, but in creating melodic lines. Schubert is always walking up and down with arpeggios on C, E, G and so forth. I am not doing anything different really, except using a different system of harmony.
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I feel confident writing on my feet with improv, but it's different when you're sitting down and writing it out.
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I don't want anybody to feel like they're different.
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I kept hearing all these rules: 'You can't say that in country music.' 'You can't use that kind of beat.' I became so frustrated. It may have slingshotted me, in a rebellious way, toward doing something different.
