Show Quotes
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I can’t play a show without acknowledging why I’m playing the show.
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People don’t pay to watch people huddle, I never thought. If they’re gonna pay good money, let’s give ‘em a good show.
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On my show you always take the far camera. I get the front one. Remember that.
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My ambition was always to show aspects of daily life as if we were seeing them for the first time.
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I look forward to my first visit to Israel. Music is a universal language that is meant to unify audiences in peace and love, and that is the spirit of our show.
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We're always looking for the best people that apply and have showed interest about being on the Big Brother show. In the past, other houseguests' siblings have approached us or applied, and in some cases it works out like Elissa [Reilly Slater] and in some cases it doesn't. We want to make sure we have the best people ultimately.
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Statistics show that a soldier's chances of survival in the front lines of combat are greater than the chances of an unborn child avoiding abortion. What should be the safest place to live in America - a mother's womb - is now the most dangerous place.
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I think going back to the early days of the show [Suits], even back to the pilot, we've always used movie references. It's always just been intertwined in the life of the show, and that is born out of my - everything to me reminds me of a movie that I've seen, so I'm constantly in my life referencing those things.
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I'd been used to this idea of destructive performance art instead of a slick, good-sounding show. So, I became frustrated as I felt I'd been doing the shows wrong. That sucked.
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The slapdash way producers used to assemble a show seems a little unbelievable when we talk about them now.
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Like dreams, farces show the disguised fulfillment of repressed wishes.
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My truth is I wasn’t ready to tell my story. For me it was always protecting the show.
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When I was 25, I was in a show called 'Bajour,' and I was going to leave the show because I couldn't breathe. I couldn't sing, and I couldn't do the basic dance steps I had to do. Fortunately, two actors in the production - who were also yoga instructors - taught me some breathing exercises, and my asthma was cured that day.
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I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
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We took a show to the Aspen Comedy Festival, called "Puppet Up" at that point, and in Aspen we just did three shows, and in Aspen, there was a producer from the Edinborough Fringe Festival, who said, "Please come to Edinborough."
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Be careful what you show the world. You never know when the wolf is watching.
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We have a song like 'Ready to Love Again' that is really, really special to me. It's the one that I relate to the most. It's very personal, so we really allowed ourselves to go there and be vulnerable and show the fans that we feel and we hurt and we love just like anybody else does. I hope they feel that when they hear it.
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With a television show, it's about fighting to get it on the screen every week. It's like going into battle, and you have to fight these fights. Some are big fights, some are skirmishes, some you can come to detente on, but it's always a fight.
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Once when I was cooking I burned my arm with scalding water. I went to the Emergency Room of the Hospital. When the doctor came in he looked at me and looked at my chart, and looked at me and looked at my chart, then looked at me again and said, "I loved your show!" He told me that when he was doing his internship he would come home every night stressed out, but he would watch a late night rerun of the Andy Griffith Show and relax and fall asleep. He said, "I wouldn't be a doctor, if it wasn't for the Andy Griffith Show".
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The first show I ever worked on was The Killing, which was a whodunit crime show.
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I think '24' is a more mature audience, whereas 'Heroes' is a little bit younger. But I have to say, neither one is child friendly. My daughter doesn't get to watch either show!
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My job is to put on a great performance. Every time I step in the ring, my job is to perform at top level and to give the people, give the crowd, give the audience what they came to see and that is a good show and, of course, everybody wants to see knockouts and that's what I like to do.
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When you put a new show out, you always have a few kinks that you need to iron out, and you need to dial your show in. You figure out over a couple of weeks what songs work well together and what songs may not have the impact you thought they would at that spot in the show.
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I need to do well and show I'm a worthy driver in F1.
