Think Quotes
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Patrick Demarchelier was the one who got me my first 'Vogue' cover. It was French 'Vogue' – I think in '87 or '88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, 'Oh, no. We've never had that before.'
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I think humans are fascinating in general. We're so weird. We do so many quirky things, and we don't even know it. There's just so many layers upon layers of nuances in everything we do, and the most fun part as an actor is trying to get into all those nuances, whether they're conscious or unconscious.
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Make your work deeper and better than those before you, and eventually someone will notice. If you don't think the work is better than what you've seen, then go back until it is.
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I'm a fun-loving guy. We are basically from Amritsar and ours is a chilled-out family. I think I have got my humour from my mother.
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Think not I am what I appear.
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You Liberals think that goats are just sheep from broken homes.
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So I guess I had, I think they tell me I had, about three years total of piano lessons, off and on.
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Comedy has become, I think, a very important branch of public intellectualism. But it still ain't Washington.
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Lyrics have become so dumbed down nowadays. People don't want to have to think about lyrics anymore, they just want to be told something. Until these great things started happening with us, I'd really given up on reaching people like that.
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I think Sharon is anti-Israeli because it's in the interest of Israel to understand the problems of the other side.
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I don't care what people think about me. I really don't.
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Making a musical television show was always the ultimate dream. But I really didn't think it would ever happen. Because who's going to make a musical television show?
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I think riots happen when communities are under pressure for long periods of time. That's not a mistake.
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I never was really into comics as a child, and I think if you miss the boat when you're a kid, you don't necessarily pick up on it when you're an adult.
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When I think of a story, somehow it just always seems to come out involving spooks and spies and government skullduggery.
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I think, No. 1, I still have a long way to go.
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I don't think there's a defined contemporary American musical, do you?
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When I'm working in finite serials, I always think in terms of the entire book rather than the individual episode because, by far, the vaster sector of the project's lifespan will be in complete book form rather than the singles.
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You compare yourself to somebody who you think is a peer, and you can totally lose the plot, and not understand that you are nothing like them in the first place, and it was never you versus anybody.
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I find it enormously valuable to be sure that that the pacing is what I think it is and that the scenes have the shape I think they have musically and dramatically.
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The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.
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I don't want to close the door that if any of us were president of the United States that we would sit idly by and watch something like the Holocaust go down. I don't want to close the door on the United States involving themselves and putting a stop to that. Can we spend money on that? Yeah, I think so.
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I think if you are young and you have children, you still have so much to prove. When you have children later in life, you lose a bit of that urge for working.
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I don't think I'm ever really going to run the risk of disappearing into a Marvel franchise. I just don't know how I would fit into a catsuit.
