Shooting Quotes
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Shooting is a pretty essential thing in basketball, and when you make shots, it's so much easier. There's so much less tension and less pressure on you.
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I like to make myself laugh. When I'm just sitting with a sketchbook and trying to make myself laugh or trying to come up with ideas, I try not to worry about aim right away. I'm just sort of shooting in all directions.
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When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.
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When you're shooting 20-odd episodes in a season, the last thing you want is for each script to be the same tone.
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Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
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If you can keep playing tennis when somebody is shooting a gun down the street, that's concentration.
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You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it.
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Even for an area I know well, I prepare a shooting list of subjects I need.
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Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.
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Even when a pilot goes, you shoot it in March or April, and then you have to rush it through post-production by May. If they greenlight it, then you go and there's no time to think about it. And then, you've gotta start shooting in July, so you're off to the races.
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I love guns. I love shooting guns.
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The only way to get out of mediocrity is to keep shooting for excellence.
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Going from a short to a feature is like going from crawling to flying. It's a big jump, really. Everything triples - size of crew, budget, shooting days, the cast. Not to mention the stakes - as a first time feature filmmaker so much rides on this film.
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The summer gig turned into my day job. I was an arts administrator who helped make indie flicks. At the filmmakers' encouragement, I tried shooting a couple of shorts of my own. Directing was stressful, it was not my strength. But writing the scripts and helping others with their scripts - that was a gas. Making stuff up the way I wanted to see it was the biggest kick I ever experienced.
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Twenty-nine turnovers didn't help us at all. Shooting 1-for-9 in 3-pointers in the first half didn't help us. But, man, they're a scrappy basketball team. They play in those spurts and that's what makes them good. They can afford not to play well in 2- or 3-minute spans. We can't. We're not good enough of a basketball team to do that.
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There's nothing worse than shooting a scene you haven't rehearsed.
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People don't realize how long hours are when you're shooting a movie.
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I've had a great time on the road, I would say shooting guns with a silencer in Jacksonville, Fla.
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Yeah, I had a tremendous time shooting in Nebraska. I like that state a lot, all over it.
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And shooting things in a documentary style was a good way to create tension and energy without money.
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President Obama, right after the Gabby Gifford shooting said we need to usher in a new era of civil discourse in politics. But not heeding his own advice.
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In the case of The Thin Blue Line, I was surprised actually by many things. I was shooting down in Texas where the actual killer David Harris lived and I interviewed the town cop. He described these guys as being David Harris' partners in crime and even though they had criminal records and had committed crimes, they sued me! More often than not, the insurance company that protects you against this type of lawsuit will settle it with cash and contest it in a court of law.
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Pick up a camera and start shooting. You need to wade in in order to figure out how to move forward and do something concrete. I firmly believe that a lot dynamic and revolutionary work flows from those who summon all of their personal energy and just go out and make something.
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Shooting film is not for everybody, but if you're crazy enough it might be for you.
