Songs Quotes
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At least, not in this country,' she added after a moment's thought. 'In China it's a little different. Once I saw a Chinaman in Shanghai. His ears were so big he could use them for a raincoat. When it rained, he just crept in under his ears and was warm and snug as could be. Not that the ears had such a rattling good time of it, you understand. If it was specially bad weather, he'd invite friends and acquaintances to pitch camp under his ears too. There they sat, singing their sorrowful songs while it poured down outside.
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I reckon we'll play the majority of the record and then we'll probably end the set with some of the older stuff that we can include improvisation on. I think the game plan is to play all the new stuff as individual songs, unless something opens up and we recognise it as a spot to fool around with.
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A lot of these songs were written for our first album. One of them, Shuffle Your Feet, was from before we were a band even. We didnt want to put them out as B-sides because they were stronger than that, but we didnt have enough songs like them to make an album, so we just held on to them. They show a side of the band thats been a big element right from the beginning.
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I grew up writing songs in my room on GarageBand, and I would make the beats just out of layering my vocals over and over again. Very Imogen Heap-inspired.
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When songs make me wanna throw up, it makes me ashamed to even be in the same genre as those songs.
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Here I am starting a franchise and I'm gonna be 65 years old. I should've started this in 1978... I wrote like 300 songs and I'm gonna have to re-learn some of them!
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All songs are living ghosts. And long for a living voice.
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Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
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One of my favorite things to do is to craft and to write songs and tell stories, and another thing is to really just flip out basically, and release kind of my unruly energies.
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Once, when I got some of the songs back from him, it was around Christmas time, and it was the best Christmas present I could have wished for -- really, really exciting.
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I think Badfinger was the epitome of that type of music before the power pop term was coined. 'No Matter What" is always gonna be a great song on the radio. There?s probably two or three others off their records that are as cool like 'Day After Day'.
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I did the best that I could to try to write you songs.
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I look at some of the songs I wrote years ago and I can't believe I wrote such crap.
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A guitar for me is pretty much strictly in the context of writing songs for my band, coming up with ideas with my band, and then being able to perform those songs as best as I can on stage - that's what the guitar for me has always been.
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It's not until I hear songs that I've done, that I realize how much of an inspiration music from the '60s and '70s has been.
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If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.
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Just like any songwriter, I love it when people sing my songs.
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I love analogue tape and I love digital, they both have pluses and minuses and I don't really feel like I have to use one or the other. I love digital because it's really great for songwriting because you can just cut and move choruses around and pull chunks of songs. It's really easy to hear quickly "Oh, maybe the arrangement should be like this."
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I was writing songs because I needed them, songs about trusting God in difficult circumstances.
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It doesn't matter what songs we sing. I'm a drummer. Chicks dig me.
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I've done songs, which have gone out to other artists or whatever, with me singing on, but they're just demos. There is a song called CANDY IN YOUR HANDS, which I think nearly became a Def Leppard B-side. It's got me playing on it and singing, cause no one else performed on the track. So, not in a Def Leppard sense, but we always release "rare" songs, so there's always a chance.
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Things just evolve. I sort of have no control over what happens with the songs. Sometimes I'm afraid I might wake up one morning with an entire record of polka songs.
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I’ll get a glimmer of an idea and the rest is just chipping away. It’s a long process, and most of my music undergoes many changes over the weeks or months that I’m writing. The songs change during touring, too, but the recording process always comes first.
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When George Harrison died the guards at Buckingham Palace played a medley of George's songs during the changing of the guard; that sort of thing never happens.