Songs Quotes
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I like lots of songs, and I find it quite interesting to do [cover songs] from time to time. My first solo hit was in 1973, the Dylan song “A Hard Rain’s Gonna Fall.”
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Writing songs is cheaper than going to therapy.
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One thing all the way through the show to me is boring. I don't care how great the artist is. I find that if my audience is very young, and they want to hear very young songs, my show will be dominated by that. But there'll be some ballads here and there and some swing tunes.
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To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
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I make songs that I genuinely enjoy and love, and just put them out kind of freely and carelessly.
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For 70 nights, right across America, I've been getting out there with two ex-lovers and we've been playing songs which are so specific about each of us, you just wouldn't know. We're friends now but we can't forget what happened between us.
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I think music is such an extension of who we are, and the fact that I've gone through as much as I have, good, bad, and ugly, has really helped to shape the songs that I picked.
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It’s a lot of fun because we can do the songs in a different way and be a little more adventurous, so that feels really good y’know. And there’s the choice from 10 albums, over 100 songs, to figure out what the set is going to be.
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I don't bother so much about the others' songs. For instance, I don't give a damn about how 'Something' is doing in the charts - I watch 'Come Together' (the flip side) because that's my song.
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When you are pushing yourself to not go back to the same well, you're gonna come up with something different, or you'll find songs that are different.
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The most personal track would have to be 'Love The Way We Used To.' It's one of the songs that I listen to outside of all the records that I wrote.
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'Free Bird' is timeless, 'Sweet Home' is timeless. They're just timeless songs.
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We write songs that hit different people at different ages where they live.
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I want to write songs that are so sad, the kind of sad where you take someone's little finger and break it in three places.
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It's good having a lot of different songs to choose from to do the show. It means you don't get bored of doing it in one particular genre.
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Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
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One of my favorite things to do is to craft and to write songs and tell stories, and another thing is to really just flip out basically, and release kind of my unruly energies.
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Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now.
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It's the combination of songs and styles the band uses that makes them so unique. They have diversity and a witty flare about them that audiences relate to.
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We're pretty much taking all the songs that have worked the best in the past and we're using those and all of the new songs. In the short time that we've got to play them, we're trying to use what ones work the best.
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It's a really common trap to want your life to live up to some standard that you believe in, and then you start to really examine those standards and realize they come not from experiences you've had, but things you've seen in movies, or feelings you've felt listening to pop songs, or ideas you've received from reading books. And not just happy things, but a lot of the time, sad things. It gets kind of depressing, when you see how movies and songs make these promises to us.
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I don't write songs about a specific, elusive thing. I write about love, and everyone knows what it is like to have your heart broken.
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At least, not in this country,' she added after a moment's thought. 'In China it's a little different. Once I saw a Chinaman in Shanghai. His ears were so big he could use them for a raincoat. When it rained, he just crept in under his ears and was warm and snug as could be. Not that the ears had such a rattling good time of it, you understand. If it was specially bad weather, he'd invite friends and acquaintances to pitch camp under his ears too. There they sat, singing their sorrowful songs while it poured down outside.
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Playing my songs is the way I cope with life.
