Songs Quotes
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Let me make the songs of a nation, and I care not who makes its laws.
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I'd love to say that I could write political songs, but I don't feel clued-up enough.
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We've put songs out on singles and weird little packages that only the real vinyl-philes care about.
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All songs are living ghosts. And long for a living voice.
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To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
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I grew up writing songs in my room on GarageBand, and I would make the beats just out of layering my vocals over and over again. Very Imogen Heap-inspired.
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Our second single (I Need Somebody) went top 20, and to a band that never made it, that would be a success. But when you have a #1 hit song, you're held up against that. It's hard to beat. The radio stations picked up a few more songs by The Mysterians, such as Can't Get Enough Of You Baby and Do Something To Me.
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Here I am starting a franchise and I'm gonna be 65 years old. I should've started this in 1978... I wrote like 300 songs and I'm gonna have to re-learn some of them!
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That's just a part of your soul. I couldn't be complacent about that no matter how much I wanted to. Sometimes thinking I have to write songs for an album feels like I have to study for an exam. Then as soon as I start writing I remember how much I love the process. We both do.
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Over the years, when you're in a band with a catalog like Aerosmith's, you accumulate a lot of instruments to duplicate those songs.
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I was brought up in many different cultures, moving around all the time, and I find my identity in my songs. I project the identity I want to have throughout the songs that I write.
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We're pretty much taking all the songs that have worked the best in the past and we're using those and all of the new songs. In the short time that we've got to play them, we're trying to use what ones work the best.
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People get a real kick out of hearing our songs with an orchestra. It makes you feel like you're in a movie with unexpected bursts of energy. It's really kind of psychedelic in a way.
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I'm giving my fans the songs that they want to hear from me. Why do we love to hear ourselves being downgraded. Why do we love to hear the negative situations that we see in our lives daily? I'm not trying to make sense of it, I'm not giving any solutions, I'm just tossing the question.
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I think Badfinger was the epitome of that type of music before the power pop term was coined. 'No Matter What" is always gonna be a great song on the radio. There?s probably two or three others off their records that are as cool like 'Day After Day'.
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Once, when I got some of the songs back from him, it was around Christmas time, and it was the best Christmas present I could have wished for -- really, really exciting.
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I always use the Rolling Stones as the whipping boy for this, but they still play old songs as 90% of their set, and we would die if that were the case.
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A lot of these songs were written for our first album. One of them, Shuffle Your Feet, was from before we were a band even. We didnt want to put them out as B-sides because they were stronger than that, but we didnt have enough songs like them to make an album, so we just held on to them. They show a side of the band thats been a big element right from the beginning.
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Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
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I was writing songs because I needed them, songs about trusting God in difficult circumstances.
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Writing songs, that's what gets me going. Not the drugs or the sex or the rock'n'roll behaviour, it's the music.
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A guitar for me is pretty much strictly in the context of writing songs for my band, coming up with ideas with my band, and then being able to perform those songs as best as I can on stage - that's what the guitar for me has always been.
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I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.
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I did the best that I could to try to write you songs.
