Songs Quotes
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Some of the songs on the radio are really outrageous. I listen to the lyric. If the lyric doesn't make sense, I don't like the song.
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I think my least favourite thing to listen to is perfect songs, perfect performances. They don't feel human to me, and in that respect, they lose any kind of sincerity. I don't know why. It's just my ears.
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I was brought up in many different cultures, moving around all the time, and I find my identity in my songs. I project the identity I want to have throughout the songs that I write.
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It’s a lot of fun because we can do the songs in a different way and be a little more adventurous, so that feels really good y’know. And there’s the choice from 10 albums, over 100 songs, to figure out what the set is going to be.
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To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
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I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
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When I grew up, there were no songs about gay people.
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It’s good to hear those songs performed so well - congrats to the band.
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My pump-up songs before I compete are not the usual. They're more girly songs. I love 'The Climb' by Miley Cyrus. It's about the journey and savoring every moment. I have 'The World's Greatest' by R. Kelly on my playlist, too.
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If you stay up, you get the songs that everyone else misses because they're asleep.
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My songs are about who I am.
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That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out.
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Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
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It's the combination of songs and styles the band uses that makes them so unique. They have diversity and a witty flare about them that audiences relate to.
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I can go from doing an electronic track to hip-hop to even folk songs. I think people like that variety in me.
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Rob fought this so hard. He hired a musicologist in England to analyse the song. It turns out that musicologists use a scale of twelve notes and if eight of those notes are present in both songs, then the accused, us, is deemed guilty. Which we were. Rob wouldn’t have it, so he then got an American musicologist to analyse it. He said the same. We lost again. John Denver got his per cent cut and a writer’s credit. Warners wanted to take it off the album on any subsequent pressings, but we said no. I still don’t hear it now. Denver died in 1997, shortly after it was eventually settled. God, imagine if we did that with all the tunes that sound like us? We’d make a fortune. Humh . . . there’s a thought.
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I'm always asked if the songs that I write are therapeutic, and my answer is a quick no. In fact, it could be argued that they exacerbate my neurosis.
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I had a lot of songs and words and scenes stuck inside of me. So Jacknife encouraged me to bring them all out. So, in essence, 'You and Others' is my diary.
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I make songs that I genuinely enjoy and love, and just put them out kind of freely and carelessly.
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It doesn't bother me when people try to deconstruct my songs – because at least they're looking at the lyrics, and paying attention to the way the story is told.
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Her album is very much what she wanted to say, and it's funny going through the process with her and knowing what these songs are about and watching her mature into what she is now an artist as opposed to an 'American Idol' winner, ... That was probably the most fun I've had on a session. She was so much fun and very laid-back, but very sincere.
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Obviously, it was a big life change for me and quite a shock to suddenly have these songs I'd written in my bedroom as a far-too-intense teenager all over the airwaves and see my face on buses, especially in a small country like New Zealand, but at the same time it was such a thrill and an honour knowing that my music was reaching people.
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I was captured by the songs as much as the singer. They grabbed my heart. The reality of Country Music moved me. Even when I was a kid, I liked the sad songs... songs that talked about true life. I recognized this music as a simple plea. It beckoned me.
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It's hard to be in the limelight and write songs that cater to fans that have expectations of you. We just want to write songs that we love, but all the different people with different ideas coming in make it difficult. We have to ask ourselves if we're writing for the most important people: the fans.
