Peter Hook Quotes
Rob fought this so hard. He hired a musicologist in England to analyse the song. It turns out that musicologists use a scale of twelve notes and if eight of those notes are present in both songs, then the accused, us, is deemed guilty. Which we were. Rob wouldn’t have it, so he then got an American musicologist to analyse it. He said the same. We lost again. John Denver got his per cent cut and a writer’s credit. Warners wanted to take it off the album on any subsequent pressings, but we said no. I still don’t hear it now. Denver died in 1997, shortly after it was eventually settled. God, imagine if we did that with all the tunes that sound like us? We’d make a fortune. Humh . . . there’s a thought.
Quotes to Explore
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I don't really like to explain my songs.
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Many of the songs on Undertow were written at the time Opiate came out.
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If I had undertaken the practical direction of military operations, and anything went amiss, I feared that my conscience would torture me, as guilty of the fall of my country, as I had not been familiar with military tactics.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I love writing songs.
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I don't want to forgive myself. That's why I hate psychoanalysis I think if you're guilty of something you should live with it. Get rid of it - how can you get rid of a real guilt? I think people should live with it, face up to it.
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With my songs I tried to prove that there is love.
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A letdown is worth a few songs. A heartbreak is worth a few albums.
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When I was working a lot, I felt guilty as a parent. I couldn't pick up my son every day from school, bake him cookies and that kind of thing.
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Every battalion has its marching songs.
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I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
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I don't have many easy songs.
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Between work and the kids, I never see anyone anymore. I mean, when I first met with ABC last spring, and they asked me what I'd been doing lately, I said: 'Gee, I have two kids. I'm usually covered with food, wrinkled and feel guilty all the time.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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My guilty pleasures are the websites where you can look at the fashions and see how different outfits will look. You can even take a picture of yourself and download it and play with the fashions! I love playing with these websites to see what I can learn.
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If someone has been bad to me, I believe in being good to that person. It's my way of getting back. Because that person is going to feel guilty about it.
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The only crime I'm guilty of is being a young black woman.
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Never let 'em see you sweat. Guests feel guilty if they think you've worked too hard to make dinner for them - which of course you have!
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I worked as a prosecutor watching Catholic priests charged with sex abuse and saw firsthand how the 'circle the wagons' mentality revictimized the innocent, coddled the guilty, and made matters worse for everyone.
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For years, the Bush Administration eviscerated all the military and legal structures that were designed to separate the innocent from the guilty in the 'Global War on Terror.'
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The people with very hard problems are understood by God. He knows what wretched machines they are trying to drive. Some day he will fling them away and give those people new ones; then they may astonish everyone, for they learned their driving in a hard school. Some of the last will be first and some of the first will be last.
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There're some places that are more difficult or dangerous to navigate and I wouldn't look forward to going back. Like I'd much rather go back to Afghanistan - which fascinates me - quicker than I'd go back to spend a week walking around Nairobi, Kenya, which is a great and easy way to get yourself killed.
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The burned hand teaches best.
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Rob fought this so hard. He hired a musicologist in England to analyse the song. It turns out that musicologists use a scale of twelve notes and if eight of those notes are present in both songs, then the accused, us, is deemed guilty. Which we were. Rob wouldn’t have it, so he then got an American musicologist to analyse it. He said the same. We lost again. John Denver got his per cent cut and a writer’s credit. Warners wanted to take it off the album on any subsequent pressings, but we said no. I still don’t hear it now. Denver died in 1997, shortly after it was eventually settled. God, imagine if we did that with all the tunes that sound like us? We’d make a fortune. Humh . . . there’s a thought.
