Artist Quotes
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Really it was the first time in my life that I recognised that acting is, I'm just going to say it, I am an artist, I have to do this, I have to do this.
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Only a bad artist thinks he has a good idea. A good artist does not need anything.
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The artist is one who makes a concentrated statement about the world in which he lives and that statement tends to become impersonal-it tends to become universal and enduring because it comes out of something very particular.
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Not every artist is a role model.
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This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.
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I cannot sing Vampirella artist Patrick Berkenkotter's praises loudly or often enough.
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The artist is something of an outsider in America. I have always felt that America does not value its artists, certainly not in the sense that the Europeans do.
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If you watch Michael Jackson [1992] concerts from Budapest and compare it to a Madonna concert of today, you'll see such uplifting beauty and a message that you won't see in any other artist of our time.
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The only reward one should offer an artist is to buy his work.
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It took time to really build myself a reputation as a good live performer, a musician and an artist.
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I'm an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
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I believe that every artist, in one way or another, is a wounded person. It's not natural to make art.
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In America, we have the feeling of the doomed young artist. Fitzgerald was the great example of that.
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I'm very much involved in art. I started buying art a few years ago and really like the work of T.C. Cannon, who is a native American artist. Then I was introduced to Soviet-era Russian impressionism and started collecting that, especially Gely Korzhev.
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You want, as an artist, to be pushing yourself to do what you haven't done before.
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There was never any effort made out there to improve the artist.
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I spend most of my time at concerts hoping for that one second that the artist looks at me, I look at the artist, and that's when I get to say, 'Thank you.'
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If any artist abuses his audience as a means to any end, noble or ignoble, he better have a damn good reason for it.
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When I want to go be Chickenfoot, I go out and I'm the artist. It's all musical.
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What is not cool is if we have a problem with an artist or if an artist has a problem with us, come to us directly. Talk to us. Don't start a Twitter war and all that kind of stuff. That's silly.
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No matter what as an artist that's always what you want to do, you want to connect to the audience, you want to be able to send whatever message it is that you're singing about, you want to be able to convey that - and not make them feel - you want them to feel it, you want them to feel what you feel.
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If brands can find a voice that matches them, and the artist embraces it, they can find a way that would serve them that doesn't feel like a sellout to the artists and has dramatic impact for the brand.
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I am not a dancehall artist, and I am not a reggae artist.
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Being a pop-leaning, female artist, you'd think that I'd have my record company breathing down my neck and trying to control everything I'm doing. Actually, they've just kind of let me take the wheel.
