Artist Quotes
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I think a great artist should be able to create any style, any form, anything from rock to pop to gospel to spiritual, just wonderful music where everybody can sing it.
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We [black people] don't respect our elders. Besides artists, we don't respect Frederick Douglass. We don't respect Martin Luther King. You look at every Martin Luther King Boulevard out here, and it's a crack block. That's not because of white people. That's because of black leadership. We just have that problem, and it's something that I am going to spend the rest of my life trying to conquer.
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This has been my life for many years; one role feeds the other. It is a joy to be an artist, but it doesn't mean very much unless that work is somehow useful in some way and contributes to others.
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Some people can't sing - like honestly - but they're famous anyway, and they might be famous for being an artist, which is completely different from being a singer.
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The public needs art, and it is the responsibility of a ’self-proclaimed artist’ to realize the public needs art, and not to make bourgeois art for the few and ignore the masses. … I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. I am merely a middleman trying to bring ideas together.
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If you can just focus on creating your art whether that's music or writing a book or painting trust me it is really hard to balance that with a personal life. You have to be willing to sacrifice sometimes things in your personal life if your ultimate goal is to pursue things as an artist.
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I really try towork with an artist who is trying to create a long legacy of quality rather than trying to jump aboard a trend.
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In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it.
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If I'm writing for a particular artist, I definitely think about their past records, pay attention to the type of tempos that they like. If I have the privilege of actually being in the session with the artist, I just like to have a conversation with them.
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This labour of the artist to discover a means of apprehending beneath matter and experience, beneath words, something different from their appearance, is of an exactly contrary nature to the operation in which pride, passion, intelligence and habit are constantly engaged within us when we spend our lives without self-communion, accumulating as though to hide our true impressions, the terminology for practical ends which we falsely call life.
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I think the business of music has really taken a huge hit. There's no doubt about it. But an artist is always going to produce their art, their music. They're going to paint, they're going to write.
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I do have a large audience overseas, and I want to continue to be an international artist.
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The Artist submits from day to day to the fatal rhythm of the impulses of the universal world which encloses him, continual centre of sensations, always pliant, hypnotized by the marvels of nature which he loves, he scrutinizes. His eyes, like his soul, are in perpetual communion with the most fortuitous of phenomena.
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I feel like my peers now are artists like Madonna and the Stones, Michael Jackson and Prince. These are people who were able to take their careers beyond the normal here-today-gone-tomorrow life span.
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What to paint was a problem for the war artist... the old heroics, the death and glory stuff, were gone forever... the impressionistic technique I had developed was now ineffective, for visual impressions were not enough.
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Be a great artist in your imagination.
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I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
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I think the gift of music is it's intuitive capability. I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process. Because it's intuitive, the truth has to be defined intuitively. It can't be preached, it can't be pushed. It's got to normally go across organically and make someone feel something, and that's the power of music.
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Stalin said artists are the engineers of human souls. I wanted to show what happens to the soul when the engineers get through with it.
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I think part of what makes us unique as artists and as singers is that we can bare our souls in front of millions of people That's the magic and power of being an artist. You can be honest. Always remember that. And do not be afraid.
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It is often we come the closest to the essence of an artist... in his or her pocket notebooks and travel sketchbooks... where written comments and personal notes provide an intimate insight into the magical mind of a working artist.
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The artist draws a picture of a rose very nicely with all attention and artistic sense, and yet it does not become as perfect as the real rose. If that is the real fact, how can we say that the real rose has taken its shape without Intelligence behind the beauty?
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We're here to make a dent in the universe. Otherwise, why even be here? We're creating a completely new consciousness, like an artist or a poet. That’s how you have to think of this. We're rewriting the history of human thought with what we're doing.
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The difficulty in working with someone on a show like Idol or X Factor is they have an idea of what they think is cool in their heads, and it's important as a producer to maintain control of the session and not let it get side-tracked or chase too many rabbits. But it's also important to let the artist feel like their opinion matters, so that balance is difficult.
