Artist Quotes
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Every picture shows a spot with which the artist has fallen in love.
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Aesthetics is for the artist like ornithology is for the birds.
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To pronounce something clever and honest is not such a big deal, lots of them have been said and written. For a statement of truth to be effective and for it to make people wiser, it has to be filtered through the soul of a highest quality, the soul of an artist.
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Social media has created an awesome platform not only for the fans to be able to communicate directly with the artist, but for new artists to have a platform to share music. As far as me, I love it because it allows the fans to connect with me.
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The decision as to when to photograph, the actual click of the shutter, is partly controlled from the outside, by the flow of life, but it also comes from the mind and the heart of the artist. The photograph is his vision of the world and expresses, however subtly, his values and convictions.
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When I land in a country and they ask for 'occupation,' I always just put 'artist.' I think that covers all of it.
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For far more marvelous is the truth than any artists of the past imagined it. Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?
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The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
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I was delivering papers when I was, like, 10 or 11, and I'd always daydream about being an artist as a full-time thing.
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Concerning iTunes, the deals have mainly been done with the record companies. But the artists, with some exceptions, haven't been very well-represented. This is partly because the record companies have largely been copyright owners.
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I have inherited two of the most important brands in hip-hop, Def Jam and Roc-A-Fella. Reid and Universal Music Group have given me the opportunity to manage the companies I have contributed to my whole career. I feel this is a giant step for me and the entire artist community.
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I think what really separates artists from the rest of the world is that artists feel like they have permission to keep exploring and expressing their process. Most people censor that because they don't think it's good enough. Everything is measured against this patriarchal hierarchy of value, as if one person's singing voice is more important than another's.
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What does it mean to be an American today? The question of that is always pointing at now. It allows someone to say what lens that will be through. A lot of my work has been about identity in different ways. Part of that for me falls into the question of gender identity certainly but also about what it means to be an American theater artist.
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I want to experiment with new techniques and become a "traditional baroque artist."
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The internet has really messed everyone up. It has its ups and downs, but for a music artist it's a killer.
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It's really hard to find materials. Also, prices of metal have gone completely through the roof, insanely expensive. And if you go to a dictionary and look up starving artist, you'll see my picture.
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It would be awesome to stay popular, but if I was only an underground artist, I would be okay with that.
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I think every musician is different, every artist is different, and in a perfect world people would be able to pursue their own path and have the inspiration and the drive to, and the energy and dedication to take their path to its fruition. I don't really believe in formulas.
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There's definitely some sort of dissent brewing between labels, publishing companies and artists. A lot of it has to do with older licensing schemes.
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As an artist, you're always going to be yearning and wanting and never satisfied. I never feel like I've really achieved something.
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I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
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Pop music seems to be the way radio programming has chosen to support female artists. They have chosen not to support a more provocative voice from women, which I find disappointing.
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I know that some of the great painters and some of the great artists didn't even start to 'peak', as you say, till they were in their fifties and sixties. And God knows, history is full of artistic people that weren't even recognized till they were dead and gone.
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I fight for the debunking of the artist and an end to individual pictures.
