Theatre Quotes
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I've had the good fortune of working with some amazing people. I mean, my first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
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I never had any classes or went to theatre school like a lot of actors, so all of my training has been on stage with different directors. That was a pretty good school room.
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Maybe all theatre is going to be irrelevant for all time.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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My heroes were all in the theatre.
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Whenever I'm in theatre situations I will go out of my way not to talk about my father, but in the film world I can be really proud of my family and say, 'You know what: my dad's a really, really famous theatre director,' because nobody has any idea.
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You can see some very great theatre actors who don't work at all well on screen. They're trying too hard at it.
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It's interesting that the wondrous 'Hamilton,' which I could not be more ecstatic about, has taken a long time to perfect to bring it to Broadway. And it wouldn't have been possible if it was developed in the commercial theatre from the get-go.
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Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
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It's a real leveller, you know, to do theatre at least once every two years.
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I think any classical training in the theatre is of enormous value.
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It is brilliant going to the theatre and being forced to sit and listen and think about life. It can be almost a near-religious experience.
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The last thing the theatre owners wanted was for people who spent $200 to see 'Les Miserables' to come out again and see the real miserable children of America, right there on the sidewalk.
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I'm more an actor who can dance and sing if I absolutely have to. I studied theatre in college, but I studied drama, but I don't have that Broadway voice, and I'm not a trained dancer or anything like that. I identify mostly as an actor first and foremost.
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My biggest ambition when I was younger was to appear on stage at what was then Nimrod, which is the theatre where my father used to take me on Sunday afternoons to see matinees. The most extraordinary things used to occur on that stage.
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By the time I was seven, I did a sonnet at Shakespeare's Globe theatre for Shakespeare's birthday because my dad had been at the first season of the Globe and was friends with the artistic director. Somehow, that lead to me doing a sonnet!
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Since I was a child I've loved going to the opera, theatre and ballet.
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My dad worked for a theatre company that was two minutes away from my primary school, so I'd just walk there after school and watch the rehearsals. I think that's probably when I fell in love with acting and telling stories.
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This is a group effort. This is group theatre. This is no big star turn. You could do things with it to do that but it would just be out of kilter. This is one reason I like this play. This is a unit.
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I had great faith in Irish actors, that they'd be hip to the whole theatre thing, and they are. I had no illusions of coming over here as some kind of big shot. It's been a learning experience for me too.
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You don't choose the theatre; The theatre choses you.
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I think you can be terribly overexposed. I've been always very careful in my career to do theatre; it takes you out of the television eye, and people are glad to see you back again.
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I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
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I came from the theatre, which had given me opportunities in television as well as a film adaptation of my second play 'Daddy's Dyin'... Who's Got The Will?' for MGM.
