Theatre Quotes
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More often than not, theatre critics bubble with enthusiasm about plays that are, when all is said and done, really pretty average.
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Mum snuck me into speech and drama classes and into the National Youth Theatre and said I was going on a summer camp if Dad asked.
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I got my degree in theatre at a little school in Pennsylvania, Bloomsburg University. It was one of those situations where I went into the major because I loved it, but didn't really expect to see it as a moneymaking situation or career.
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I am thrilled to receive the Sondheim Award from the wonderful Signature Theatre. I have already received the invaluable gift of over twenty-five years of collaboration and friendship with Steve. Now I get to have his award, too!
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There's no real theatre without taking risks.
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I'm not a really firm believer in theatre that is 'about anything.' I don't think theatre can be about anything other than the people who show up and the value that they hold.
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Back in the Stone Age, before there were workshops, it was a very difficult idea to get into musical theatre. Normally, you would be a chorus girl or boy and write something. People would get their start as rehearsal pianists or dance assistants.
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I think the only directing I'd be any good at is theatre directing. It's the only thing I can see myself doing.
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Whenever I'm in theatre situations I will go out of my way not to talk about my father, but in the film world I can be really proud of my family and say, 'You know what: my dad's a really, really famous theatre director,' because nobody has any idea.
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Theatre is home - I grew up doing it - and that is never going to change.
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My first role was in the George Gershwin musical 'Crazy for You' at the Orlando Repertory Theatre when I was 11 - I grew up in Florida - and I wasn't old enough to be in it, but they let me anyway. I was just this little shrimp in a leotard.
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It's great to have a job and then go to another one, and have another one to go to after that. It doesn't always happen; you might be waiting a few months. But I've had some interesting roles, and worked with some great people. And it has been a really interesting mix between theatre television and film.
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I was the class clown in school, and I was also a child actor - not on television, but in the theatre.
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I get to the theatre in plenty of time; I prepare my shoes in advance; I eat and drink the right things at the right time. The rest you have to leave to luck!
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You don't get paid a whole lot for theatre, but you know, I feel more like, 'Where could I buy this experience, and how much would it cost? Who else would give me this kind of focus and put me in a room with this kind of talent?'
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When I began doing theatre in high school I saw that I could get laughs from people but I didn't really connect that to going on and becoming a comedian. I was interested in acting and while I was at Boston College I was part of an improv group, Mother's Fleabag, which had a long history and has been known as one of the best college improvisation groups in the U.S.
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The theater, which is in no thing, but makes use of everything-gestures, sounds, words, screams, light, darkness-rediscovers itself at precisely the point where the mind requires a language to express its manifestations.... To break through language in order to touch life is to create or recreate the theatre.
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When I was at the Royal Ballet School, I remember receiving my first eyeshadow palette from Marks & Spencer as a gift. It sparked my interest in beauty, which peaked when I became more involved in theatre and got to experience so many stunning image transformations to suit different productions.
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Theatres, actors, critics and public are interlocked in a machine that creaks but never stops. There is always a new season in hand and we are to busy to ask the only vital question which measures the whole structure. Why theatre at all? What for? Is it an anachronism, a superannuated oddity? Surviving like an old monument or a quaint custom? Why do we applaud and what? Has the stage a real place in our lives? What function can it have? What could it serve? What could it explore? What are its special properties?
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After joining theatre, I started thinking that acting in films was not half as challenging as theatre.
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You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
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Theatre has no national identity. It is something for the world, whether it is Irish, English, or French.
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I go to the theatre expecting to have a good time. I want each play and performance to take me somewhere. Naturally, this doesn't always happen.
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I went to the University/Resident Theatre Association auditions. Deans come and watch you in this theater. You have three minutes, and you have to do two contrasting monologues - at that time, this is 2003 - one classical and one contemporary.
