Theatre Quotes
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No space should be safe from theatre.
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I recently did a play, Athol Fugard's 'Coming Home' at Long Wharf Theatre, where I played one character throughout - I sat at a table and didn't have any costume changes. Following one character's arc from beginning to end is a whole different mindset.
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I've gotten to go wonderful places, meet interesting and intelligent people, and I started of course in the theatre and continue to work in the theatre where there is some intelligence involved in it.
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I was supposed to go to drama school and then go to New York and do theatre. But I grew up on all those fabulous movies and had read all the bold Hollywood books, and I thought I just had to take a look.
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I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.
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You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
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A prose writer never sees a reader walk out of a book; for a playwright, it's another matter. An audience is an invaluable education. In my experience, theatre artists don't know what they've made until they've made it.
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When I was at the Royal Ballet School, I remember receiving my first eyeshadow palette from Marks & Spencer as a gift. It sparked my interest in beauty, which peaked when I became more involved in theatre and got to experience so many stunning image transformations to suit different productions.
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I'm ready for theatre. I'm ready for dramas, period stuff, films. I want to achieve everything.
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I did theatre in the U.S. because there, content-wise, it's very light. In India, theatre tends to get preachy.
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We have a desperate need for producers in the [commercial Broadway] theatre, and it is very hard for them to get money and find investors for new plays.
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In Jaipur, I did almost everything from regional theatre to Shakespeare's plays. But when I shifted to Mumbai, I joined Anupam Kher's academy, Actor Prepares,to hone my acting skills.
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I have been a good theatre artiste since my school and college days, but when I participated in 'Cine Stars Ki Khoj,' I realised that I could touch people's hearts when I performed.
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The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage.
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The higher education system in these countries (US, Korea etc) has become like a theatre in which some people decided to stand to get a better view, promoting the others behind them to stand. Once enough people stand, everyone has to stand, which means no one is getting a better view, while everyone has become more uncomfortable.
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I first came to London as a musician, and when my group broke up, I did 'Guys and Dolls' at the Watford Palace theatre. After that, Ned Sherrin found me and brought me to the West End to do one of his shows. The work went from strength to strength, so I thought: 'This is where the world wants me; I'll stay.'
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I don't love the theatre. I'm just not one of them.
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There is something about a theatre room that is really like a laboratory for trying things and failing, because you have time to do that, and you can explore something deeply and discard it if it's not working.
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I feel like I'm put in a position where I have to engage with what people bring to my work, which is an expectation for me to talk about race because it's not normal for a black writer to be writing in the theatre.
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If you're watching a film on your television, is it no longer a film because you're not watching it in a theatre? If you watch a TV show on your iPad, is it no longer a TV show? The device and the length are irrelevant; the labels are useless, except perhaps to agents and managers and lawyers, who use these labels to conduct business deals.
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I got my degree in theatre at a little school in Pennsylvania, Bloomsburg University. It was one of those situations where I went into the major because I loved it, but didn't really expect to see it as a moneymaking situation or career.
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Theatre is where my heart is. It's where I can do my best work. And even if I do films and TV, that's what I want to come back to.
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Our job is to make manifest the story, to be it. In a sense, the theatre is such a big star itself, bigger than any Shakespearean actor I could hire, that we should take the opportunity to fill it with voice and verse and movement, not interpretation.
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Theatre was the first thing I fell in love with.
