Matt Letscher Quotes
During my senior year, when I was attending the University of Michigan and getting a drama degree, the Purple Rose Theatre was in its second season. The year before was the company's inaugural season. I, of course, wanted to work there. It was started by a really prominent local actor, Jeff Daniels.
Quotes to Explore
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I always watch the work I do.
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I was a confused young girl with so much tragedy. Sometimes when you're going through stuff, the last person you're thinking exists is God. I mean, it was my confusion, the anger that was in my heart, all that drama. But thank God I know God now, okay?
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The bad news is, I have worked less than I have liked. The good news is, I can look back on my body of work and feel truly proud of the work I have done.
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What's great about stand-up is that you can say whatever you want and go around the country, and sometimes the world, and work on it and see how people react. You don't need Standards & Practices or notes from lawyers or producers to tell you what's funny.
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If I were to continue to work in an established mode, it stands to reason the work would be limited by this - that it would never surpass the prior work in quality.
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I've been lucky enough to work in pop culture, especially with people right before they popped.
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It is obvious that the monetary union among 17 very different European countries does not work. As an economist, I know that the Eurozone is not an optimum currency area, as defined in economic theory.
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The family teaches us about the importance of knowledge, education, hard work and effort. It teaches us about enjoying ourselves, having fun, keeping fit and healthy.
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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When we were subjected to a vicious character assassination campaign orchestrated by senior White House officials and championed by their allies in the right-wing echo chamber, Hillary reached out to us. Her counsel during that tumultuous period was as timely as it was wise.
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People have the problem of denial. This is one of the things I learned in Lebanon. Everybody who left Beirut when the war started, including my parents, said, 'Oh, its temporary.' It lasted 17 years! People tend to underestimate the gravity of these situations. That's how they work.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.
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Character is the indelible mark that determines the only true value of all people and all their work.
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I motivate what I see in young people because we employ about forty thousand young people in our various Chick-fil-A units. Some of them come to work because they need to work; others just work because they just like to work. There's nothing wrong with that.
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Every director's so different. Everybody has their own modus operandi and I love getting to know different directors in the way they work. David O. Russell is very exciting to be with because he's got a mind like quicksilver.
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A successful artist of any kind has to work so hard that she is justified in refusing to lay down her sceptre until she is placed on the bier.
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I was so famous that I couldn't leave the hotel room. I remember looking out of the window at all these fans but just feeling so isolated.
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If your entire relationship with money is devoid of fun, money becomes something you fear and loathe rather than something to celebrate and enjoy.
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I'm finding that success is way more time-consuming than failure ever was.
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During my senior year, when I was attending the University of Michigan and getting a drama degree, the Purple Rose Theatre was in its second season. The year before was the company's inaugural season. I, of course, wanted to work there. It was started by a really prominent local actor, Jeff Daniels.
