Theatre Quotes
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Theatre is one of those things that children will love if they're helped to get there to see it. No child will find his or her own way to the theatre.
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I was doing theatre when somebody noticed me and referred me to Raju Hirani. And Raju saw me on camera, and there, I was a heavy guy with long hair. But I got selected for the role of Joy in '3 Idiots.'
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When I was a little younger, I really did love musical theatre in the same hopeless dorky way that she does. I was obsessed with Jesus Christ Superstar and I used to reenact it in my room when no one was home.
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The interest of my mother was more in the entertainment field. She loved to go to concerts and to the theatre.
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By and large, the theatre establishment is run by a white majority.
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I was always far more into anything creative that called for a bit of active participation, like reading aloud in class. Then, having left school shortly after my GCSEs, I auditioned for the National Youth Theatre of Wales and the National Youth Theatre of Great Britain as well as the Welsh National Youth Opera. I ended up getting into all three.
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I did half a year of theatre.
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Shaw's relations with women have always been gallant, coy even. The number he has surrendered to physically have been few – perhaps not half a dozen in all – the first man to have cut a path through the theatre and left it strewn with virgins.
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I gave my life to the Group Theatre, because in it I'm building something for myself. What I build, I am.
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I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theatre than when it came in.
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I would most like to do film or TV. Possibly theatre in the future, but I'm in L.A. a lot of the time at the moment and if I was going to do theatre it would be in London.
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Then I left school at 16 and worked in Perth Repertory Theatre, which was quite nearby where I lived. And I worked there for about six or seven months, as part of the stage crew.
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My parents used to take me to a lot of theatre when I was young.
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I was a football player at college and dislocated my thumb. I was out for a bit and passed the theatre and saw some lovely drama students walking into an audition for 'Much Ado About Nothing' and thought: 'That's what I'll do when I recover.' I joined that production and was hooked.
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Theatre has no national identity. It is something for the world, whether it is Irish, English, or French.
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People that went to art house theatre have more options, I used to go, but now think any movie can be delivered in a red envelope three months after it's released so why not watch it on my flat screen in the comfort of home.
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I always liked clothes; since I was very, very young, I was interested. I studied costume as part of my theatre education.
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Theatres, actors, critics and public are interlocked in a machine that creaks but never stops. There is always a new season in hand and we are to busy to ask the only vital question which measures the whole structure. Why theatre at all? What for? Is it an anachronism, a superannuated oddity? Surviving like an old monument or a quaint custom? Why do we applaud and what? Has the stage a real place in our lives? What function can it have? What could it serve? What could it explore? What are its special properties?
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Theatre is about people, not buildings. Incalculable damage has been done to the expert talent a company needs - from wardrobe to lighting technicians.
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There are lots of rats. It's a dirty little secret at the Delacorte Theatre.
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I love the theatre. It's a perfect life for an actor: you can do a couple of movies and then go and do a play, and then go back and do another movie. It's a nice way to live your life.
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I was fortunate because my mum shared my love of film with me, so we would go to the movies twice, three times a week, and we would watch movies at home. As a teenager, instead of going out, we would have these huge movie nights in. But I almost failed drama at school. I hated it. It was all about the history of theatre.
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I studied at the Bristol Old Vic Theatre School, which was founded by Laurence Olivier and has alumni like Jeremy Irons and Daniel Day Lewis. It's a very erudite institution; its ethos, really, was always theatre-based.
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I'm never going to stop making theatre, but I don't think I'll make it as much, because I don't need to. There are other things I want to do with my life. I want to sit by the sea in Yorkshire and eat Eccles cakes and spend time with my family.
