Theatre Quotes
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It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.'
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I grew up around the theatre. My mother is an actress. I would fall asleep on tons of theatre chairs. It's in my blood; it's in my spirit and my fabric of who I am.
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There's all that brain work involved, remembering all those lines in a script. I find I have to eat a lot of fish, late - but not too late - in the afternoon. Doing theatre, you need to be like an athlete in training.
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In the future, bands are going to have to offer more than a pop show. They are going to have to an offer a well presented theatre show.
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I come alive when I have assisted in bringing out the printed word on the stage, you know, and I enjoy directing plays. It's a tactile process, theatre, unlike a number of other forms of the creative work.
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I've done panel shows, which I enjoy, and on those you're recording half-an-hour of TV and sometimes they film for two hours. But with 'Britain's Got Talent,' you're on camera for eight hours, with a large theatre audience watching - and in between you're being filmed for ITV2 as you eat your lunch.
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I hope to continue working in film, television and theatre.
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It hath evermore been the notorious badge of prostituted Strumpets and the lewdest Harlots, to ramble abroad to Plays, to Playhouses; whither no honest, chaste or sober Girls or Women, but only branded Whores and infamous Adulteresses, did usually resort in ancient times.
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Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.
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For the theatre one needs long arms... an artiste with short arms can never make a fine gesture.
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If your church is the theatre, New York means a lot - it's a pilgrimage you want to make.
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A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
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I've never chased fame. I came into this business to be a theatre actress. I was nine when I first appeared on stage. But I can't say I would turn my back on fortune. I'm someone who enjoys the benefits of money.
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The range of genre that we is very diverse, which makes for a fun and multi-dimensional show, but creating something that flows, depending on what kind of vibe the show is going to be loud dive bar, small theatre, festival is a bit of an art a haphazard art at times.
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I was born in the theatre. My father was a small time impresario on the West Coast and I was acting from the age of 7, but I started to write when I was 12 and by the time I was 14 I was making more money than I was acting.
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I coach young people. I have a group called BTP - Broadway Theatre Project.
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Our intention is to develop music, theatre and exhibition activities on the Far Eastern regions.
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I was very interested in theatre, mostly in stage design. I did a little bit of acting.
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I started doing theatre, and that's when I really fell in love with the profession; I learned a lot. It felt a bit weird to go from living in New York on Broadway to university, so I kept putting it off. Then, eventually, I had to give up the place.
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My background is somewhat unusual, as I trained to be a ballet dancer. I worked in the theatre for eight or nine years as a contemporary dancer. But as an actor one does read Shakespeare and does try to learn the classics.
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On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
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It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
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I studied drama in high school, and when I was 18, I studied at the Actors Studio in New York. Then I moved to London when I got engaged to Bryan Ferry, and I studied at the National Theatre there.
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It was very natural for me to want to disappear into the theatre, I am really very shy.
