Theatre Quotes
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I come alive when I have assisted in bringing out the printed word on the stage, you know, and I enjoy directing plays. It's a tactile process, theatre, unlike a number of other forms of the creative work.
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My mother asks when I will do some theatre, and there is something about getting your 15 minute call. That is what you become an actor for - performing in front of people and getting the love from the audience.
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I'd quite like to try all sorts of different things, whether it be theatre, TV or film.
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I always remember is that no matter how good I might be in a movie, I'll never be any better. It's frozen. But in theatre I can be better tomorrow night, I can be better the night after that and I can be better in a week. The journey you go through as an actor is incredible.
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I'm interested in working with groups of actors to tell complicated stories about what's happening to people, and that's because I came out of the theatre where I worked in ensembles, and I really loved that.
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I knew nothing about film at all. I suppose the biggest surprise is all these things. In the theatre we sort of do, I might do two or three key interviews and that would be it.
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I started doing repertory theatre in upstate New York when I was 15, went back when I was 16, and by that time decided that I really wanted to study drama seriously and go to an acting conservatory called Carnegie-Mellon University in Pittsburgh.
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In senior year at college, Paula Vogel was my playwriting teacher; she is the first person to introduce me to the notion that a woman could actually forge a career in the theatre. Up until then, the possibility seemed remote and inaccessible, as I had very few role models who directly touched my life.
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Even if the play is great, every day in theatre you have to question everything because the audience is new every day. I love that.
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There was a saying going around the theatre: It's a train, and you can jump on at any point whether you're a lover of musical theatre or a lover of theatre or a lover of hip-hop or a lover of history - there was a way to jump on the train.
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I've started painting much more freely, and faster. I think it's working in the theatre that did it. You know what the Glyndebourne scene-painters said about my The Magic Flute? They said they had to wear sunglasses to paint it.
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I'm just attracted to good material and great characters and that can come in any form, whether it's television or film or a theatre piece.
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I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
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For the theatre one needs long arms... an artiste with short arms can never make a fine gesture.
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I'd auditioned for the National Youth Theatre and I didn't get a place and it was terrifying.
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I think that music is crucially important in Shakespeare - and, clearly, was an important part of the Elizabethan theatre. And, it's always been something that was a profound element of the experience of Shakespeare that I have been drawn to - and interpreters have, as well.
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People think that theatre helps, but in my case, it slowed me down. I had to unlearn everything when I went on to a film set.
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I was born in the theatre. My father was a small time impresario on the West Coast and I was acting from the age of 7, but I started to write when I was 12 and by the time I was 14 I was making more money than I was acting.
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Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you're listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you.
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If I only did theatre I would have had to waitress, and I didn't want to waitress.
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I've done a lot of work in Hollywood and theatre, but to be honest, the biggest pleasure I've ever got is from the TV single plays I've written. It's a format where you don't mind saying, 'I want to tackle some important themes head on.'
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It's a tremendous asset if you have a visual eye because you can make huge visual statements in a very theatrical way and play to the strength of theatre. But the high end of directing is working with actors and making the acting the best it can be.
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Then I went off to Southern Methodist University in Dallas. They had a really wonderful theatre department.
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If your church is the theatre, New York means a lot - it's a pilgrimage you want to make.
