Theatre Quotes
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At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.
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I would like to reconcile the church and the circus. I wanted to transform the theatre... to get my message across that there is only one God - the living man - the person sitting next to you. That is my religion. I believe that there is a sense to life.
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I grew up doing musical theatre in Orlando, Florida. When I was 14, I just happened to be in the right place at the right time - a deliveryman heard me singing and offered to deliver my demo tape to Sony Music. I was just really lucky.
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Now I'm on television, I'm far more conscious of my skin than I used to be - I would often leave the theatre with layers of pancake make-up still on my face, but on a medium such as TV, I have to be more fastidious.
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The acting bug just seemed to stick with me. I loved going to theatre school in college and continued to train in film classes and had been auditioning for T.V. and movie roles since I was in my late teens. My career has been slow and steady, and I kind of like it that way.
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There's a tradition in British intellectual life of mocking any non-political force that gets involved in politics, especially within the sphere of the arts and the theatre.
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I used to do a Saturday drama group called Young Blood Theatre Company with school-friends in west London - nothing to do with my mum and dad. A casting director came to pick people out for a new BBC children's series called 'MI High.' She picked me, I auditioned, and I got the job.
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I was always very independent and looked out for myself. I think that ability really helped me in later years both in sports and in theatre.
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I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'
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Theatre is great, but we don't live in an idealistic world, and we have to pay our bills.
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Theatre has always been better disposed to colourblind casting than telly or film. Given that most television is contemporary, and it reaches 56 million people, I am disappointed there still isn't more representation.
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I like working in theatre now and I think that once you've done a certain amount of films most actors love working in the theatre because of the camaraderie.
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There is a sense of purity in theatre which always attracts me. Deep down, I feel I am more of an artist than a commodity, which Bollywood turns you into. I want to strike a balance.
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You know, this isn't theatre like it used to be.
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I'm a very private person, so I didn't like this idea of tweeting about me. And then I realized, 'Oh, this is actually a brilliant device in terms of interacting with the fans'. It's a lovely way to just get back, to thank the fans for watching the show. And to live tweet is kind of like getting the rewards of doing live theatre.
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When I was going through school, I joined the Lyceum Youth Theatre, and that kind of cemented it. Through being in and around the building and watching shows, I realised that there was something I really loved about it, so I went into the stage management side.
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When I was at drama school, I remember going to Amsterdam for new year and sitting with friends on the front of a P&O ferry in the wind, having some sort of 'Titanic' moment, declaring ourselves to be the new kings of theatre.
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Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting.
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I have never seen a game's graphics look so sharp and clean. The sound design for the game is also unique on the Xbox. The memory on this system allowed us to provide the user with 5.1 Dolby surround sound for home theatre owners.
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I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.
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I think the people who probably have it the best are the people on cable like on 'Entourage', 'the Sopranos', etc. who have 13 episodes per season and breaks to do films and theatre. I think that's the most ideal life.
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In the theatre, if you say 'Macbeth', all the actors will start looking very anxious. I'm so well-trained not to say it in the theatre that I can hardly say it in normal life.
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Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.
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In 1995, I founded a storytelling program for children called Neighborhood Bridges in collaboration with the Children's Theatre Company of Minneapolis, which is 15 elementary schools in the Twin Cities.
