Wall Quotes
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Something I notice speaking to writers from south of Hadrians Wall is that the culture is different. At base, I think Scotland values its creative industries differently from England.
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When I do a project, I like the idea that someone is going to experience the book, someone is going to experience the film, someone else is going to experience a framed photo on a wall, but they are all going to get to the same root thing as long as all of those mediums are exploring it from the same place.
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What we do is we test what works on Wall Street. And sometimes it is earnings momentum, and sometimes it's earnings surprises. Sometimes it's price-to-sales cash flow, and then we put together our stock selection models.
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That song ["Money to Burn"] is me being a fly on the wall in situations in LA. I mean, I've seen the way a lot of people operate and I've seen that sort of thing go down. There's a lot of rich kids with a little bit of extra money.
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I had a lot of notes and fragments and observations that never amounted to anything. After the Wall had gone down, so many people were writing about Berlin, I didn't have the same urgency or feel enough authority.
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Who is left in the ghetto is the one man in a thousand in any age, in any culture, who through some mysterious workings of force within his soul will stand in defiance against any master. He is that one human in a thousand whose indomitable spirit will not bow. He is the one man in a thousand whose indomitable spirit cannot bow. He is the one man in a thousand who will not walk quietly to Umschlagplatz. Watch out for him, Alfred Funk, we have pushed him to the wall.
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I like the weight, look, and feel of a book. I enjoy turning the pages, and frequently scan the spines of my many books on the wall, each title a reminder of the stored information and creative thoughts contained therein.
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We can't think in terms of designing products that we throw over the wall to customers, but instead, we need to design products that are upgradable and maintainable and that can be mined for materials and components that can be reused.
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It got to the point where I sat on the side of the bed in a hotel room in London in early-1990 and said to whoever or whatever: 'If you are there will you please contact or leave me because you are driving me up the wall'.
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One time, my mom told us, 'No TV.' It was 3 P.M., and I was sneaking it in. She put her hand on the back of the TV to see if it was warm, and it was. So she pulled the cord out of the wall, opened the second-floor window, and just threw it out the window.
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Engvall has an elk hung on the wall.
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You're not going to hear me singing songs about Wall Street because I don't know anything about that.
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The aim of philosophy is to erect a wall at the point where language stops anyway.
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Nobody knows through how many thousands of years fighting men have made a place for themselves while the weak and peaceable have gone to the wall.
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Barack Obama's life was so much simpler in 2009. Back then, he had refined the cold act of blaming others for the bad economy into an art form. Deficits? Blame Bush's tax cuts. Spending? Blame the wars in Iraq and Afghanistan. No business investment? Blame Wall Street.
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I understand how you could see something in the root of a tree, a crack in the wall, in an eroded stone or pebble. But marble? It comes off in blocks and doesn't evoke any image. It does not inspire.
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Thin people release the fork, and they chew the food with the fork on the table. They chew their food slowly. They look around at each other or the wall or a picture. They listen to the music. They sit back and take a breath. They do something other than concentrate on shoving the food into their body.
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Wall Street is greedy, reckless and they operate illegally. That's fine. But what do you do?
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To understand Occupy Wall Street, you have to understand artists. Art is freedom - freedom of expression - and its message has resonated through society for centuries.
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People talk about Wall Street greed, but one of the things many people don't understand is that there are a lot of organizations that have been the recipient of largess from the same Wall Street.
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Because I wrote a book about Goldman Sachs. And I know that, from talking to people at Goldman Sachs, that Trump is the poster child for the kind of client they don't want to do business with, mainly because he would borrow all this money from Wall Street to build his casinos, and then didn't pay it back.
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For 'Never Knowing,' I outlined it and then blocked it out on my office wall with index cards, but things still happened organically.
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Graffiti ultimately wins out over proper art because it becomes part of your city, it' s a tool; "I'll meet you in that pub, you know, the one opposite that wall with a picture of a monkey holding a chainsaw". I mean, how much more useful can a painting be than that?
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I have a predilection for painting that lends joyousness to a wall.
