Poems Quotes
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I was working on the proof of one of my poems all the morning, and took out a comma. In the afternoon I put it back again.
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I believe that poets have to be inside their poems somewhere, or the poem won't work.
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I do think that all of us think in poems.
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Good acts are like good poems. One may easily get their drift, but they are not rationally understood.
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As long as I can remember, I've been writing - first poems, then stories, and by my early teenage years I was also in love with sailing.
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It took me 14 years to write poems about Vietnam. I had never thought about writing about it, and in a way I had been systematically writing around it.
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Remember the plants, trees, animal life who all have their families, their histories too. Talk to them, listen to them. They are alive poems.
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Of course there is matter for remark in poems. Nobody denies that. But it must be solemnly laid on everybody in this world to make his own observations and remarks. That's what we mean by thinking, and that's about all we mean. A teacher says to a pupil "Watch me notice a few things in the next few months: let's see you notice a few things too."
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Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
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After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.
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I keep all my poems in my journals and lock them away. They are the start of everything.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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I invented animals and birds – I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.
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I write poems, I meditate. I don't live up to people's expectations. I don't do the conventional cool things - I know I am the coolest person.
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I know, I know the world wants love. I know that the fans want love on the air. Of course they do. They want love on the air as they want love in pictures, in the theatre, in novels and poems. And I want to give them love on the air - but not cheap love, not a low - class type of love.
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I am a genius who has written poems that will survive with the best of Shakespeare, Wordsworth and Keats.
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I don't know why Sinclair Lewis fell in love with me. He didn't get even the slightest response from me. But his letters were lovely. And the poems he wrote me were lovely. I used some of them in my book.
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I like Beethoven, especially the poems.
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Criticism starts - it has to start - with a real passion for reading. It can come in adolescence, even in your twenties, but you must fall in love with poems.
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I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.
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Neither poems nor prose just a length of rope just the wet earth – that's the way home. Neither vodka nor bread just bursts of rage just more new graves – that's youth and that's love. Neither sleep nor waking neither joy nor laughter just tears in the night – so the rope, paper, knife.
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The makers of fortunes have a second love of money as a creation of their own, resembling the affection of authors for their own poems, or of parents for their children, besides that natural love of it for the sake of use and profit.
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I wish all difficult poems were profound. Honk if you wish all difficult poems were profound.
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A poem's life and death dependeth still Not on the poet's wits, but reader's will.
