Theater Quotes
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My mom always wanted me to be an actor. And I started going to theater and going on auditions young. I only realized about five years ago that I actually didn’t want to be an actor.
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When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.
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I never intended to be on television or in a movie. The theater was all I ever dreamed about, once I decided to try to make it as a business profession. All this other stuff has just been icing.
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The movies are not my first priority - the theater is.
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Gendered performance is just constant theater.
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The theater, bringing impersonal masks to life, is only for those who are virile enough to create new life: either as a conflict of passions subtler than those we already know, or as a complete new character.
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The greatest sound in the theater is silence.
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Going to the theater is such a joyous experience. My dad would take my sister and me to plays when we were very young, like six or seven years old.
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What the American public wants in the theater is a tragedy with a happy ending.
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The perfection in theater is that it's over the second it's done
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As soon as there are 200 people in a theater watching me, I get really scared.
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In the summer of 2009, I was at the Shakespeare lab at the public theater in New York.
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The trick about the theater is at the end of the day you cannot take any of it personally.
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My mother was an extraordinary theater actor in Canada, and when I would finish school, I would go to the theater. I would do my homework, we would have dinner there, she would do her play, and then me and my sister would go home. So I grew up in it that way.
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At one point, I was hell-bent on being a Disney animator, and sort of got over that in college and wanted to do my own stuff. You know, towards the end of college I had actually planned to go to the Boston Conservatory of Music for musical theater.
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I'm a sort of political person, and I feel that there's a kind of ineradicably political dimension to theater, to all theater, whether it's overtly political or not.
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There's a way in which 'The Illusion' is a play about the theater.
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I was also an only child and my father really wanted a son - he's from that generation - it was always about kung-fu theater on Sundays and boxing games on the weekend.
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I do think that theater is a great venue for science fiction, and not just adaptations but also original work. I also think some of the greatest classics of theater have elements of SF, but in theater, as in publishing, sometimes people make arbitrary distinctions.
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I'm not a theater rat, so I never got a theatrical agent and did a play. I came really close though.
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I've always loved music and I love the language, which is a huge reason why I'm part of theater.
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A lot of my friends were a lot into theater a lot earlier than I was. A lot of my friends were kids who were in The Broadway Kids and the kids auditioning for Gavroche in 'Les Miz.' I was never that kid. I was weaned on Michael Jackson. Not literally, because that would have been odd.
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My grandmother was my inspiration. She was the person who took me to the theater and encouraged me to act, and she's the one who always believed in me.
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I'm very aware that when one is acting in the theater, you do become kind of animal about it. And you're reliant on instincts rather than tact a lot of the time.