Radio Quotes
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Radio as we know it is pretty much changing completely.
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I'm not on the radio all day long. I'm not on TV.
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Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
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Radio helps you break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.
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Rodgers and Hammerstein didn't mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.
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I began visiting Lima's prisons back in 2007, when my first novel, 'Lost City Radio,' was published in Peru.
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I had maybe heard 'The Times Are A-Changing' on the radio, but I had no idea who Dylan was. No idea.
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A lot of the music I listen to is indie rock. It's not on the radio.
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The radio even weren't allowed to say there was a Holocaust and people were being killed right, left and center in these terrible camps.
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Radio interviews are really snappy and I'm just bad at that. I just close down.
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I could never be in a situation with a job where I was not allowed to listen to music all day. I would rather work at a fast food restaurant where I could turn on the radio all day rather than be in a situation where I have to sneak and listen to music.
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I loved being on the radio. Being paid to talk? It's like being paid to eat.
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If you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia.
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But why is it that in music, anything more than 5 years old - apart from a few hits - is never played on radio to the young public?
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Public radio is alive and kicking, it always has been.
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There are certainly things labels can still provide that indie artists can't. They can pave the way to radio and pay big bucks for promotion.
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I only got interested in radio once I talked my way into an internship at NPR's headquarters in Washington, D.C. in 1978, never having heard the network on the air.
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We began intercepting Japanese radio transmissions, which indicated the two forces were very close to each other. We found out later that we were moving in opposite directions and passed each other by 32 miles.
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I grew up on a farm where we had one radio station and it was all country.
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In the 30 years of my career, I have explored all possible mediums, except radio.
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I don't mind being interviewed on television or radio.
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Something on mainstream radio is very in your face with the vocals. I tried that, and it just doesn't feel like Washed Out. It's got to have that haziness to it.
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Daft Punk wouldn't have normally fit into anything that was pop on the radio, but they just did it.
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I had no trouble going from radio to TV - I just thought of TV as radio with pictures.
