Kind Quotes
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It's kind of great being a group without a lead singer, because the possibilities are sky high. Odd things become the lead singer, noises become the lead singer. It actually makes the thing much more flexible.
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I'm learning to hunt with rifles, because if you think about it, hunting gets you the healthiest meat - organic, free-range food. It's a totally yuppie spin on what I thought was kind of a redneck occupation.
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I just got in music because it was a hobby. I got into clubs for free, got to drink for free and left with the hottest girl from the night. I never dreamed it would be for me to go on this kind of ride at all.
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It's a really subtle kind of thing. It makes me feel like Randy Harrison is not a human being to them.
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I started getting seriously into music when I was a kid. 1978 was my big year. It just hit home. That was before real metal. There was Black Sabbath and that kind of stuff, but the real underground, hard stuff wasn't even around yet. It was cool to watch that happen and latch onto the next edge of things every time that progression happened.
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In A-ball, you're either going to move up, or you're going to get released. That kind of paranoia played a lot into the players' mentality leading up to the events of 'Eight Men Out.'
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The day, like the previous days, dragged sluggishly by in a kind of insipid idleness, devoid even of that dreamy expectancy which can make idleness so enchanting.
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I love a visceral sound, the kind that hits you in the belly.
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Isen wasn't a two birds with one stone kind of guy. More like one stone, two birds, a rabbit, a fox, and maybe that deer will trip over the fox and we can get him, too.
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I'm the kind of person who would rather rock in my rocking chair when I'm old and regret a few things that I did than to sit there and regret that I never tried.
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We're extremely fortunate not to know precisely the kind of world we live in. One would have to live a long, long time, unquestionably longer than the world itself.
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The controlled chaos is one way to get creativity. The intensity of it, the physical rush, the intimacy created the kind of dialogue that leads to synergy...
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I think that one day I won't have any kind of... sort of, or it will be either way, I won't have to think about anything. But at the moment, god I think probably because of what I do and the nature of how it is, I'm all over the place all of the time.
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I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
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It is kind of weird being the last gang in town.
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I know when something is done and when it isn't. There's been times working on movies when they [moviemakers] lock in a release date and so you're stuck to that schedule. But sometimes you're still editing and you feel like you're not really done, but they're sort of releasing the movie anyway - that's kind of depressing.
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I'm not an experimental artist. I have no talent for that. I need a certain kind of antecedent form to follow.
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Thank heavens when the first single Bye Bye came off this album work started to pick up, then I'm Alright has taken us across the world. Radio has been very good, it has chosen to be kind to us.
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Why not sit around a Beverly Hills pool collecting residual cheques? That is not the kind of life I want.
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I'll come back to New York. I think I'll start focusing in more on the entertainment business. I have been doing some of that already, all kinds of monkey business. But I'm all over the place, literally.
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It's important not to overstate the benefits of ideas. Quite frankly, I know it's kind of a romantic notion that you're just going to have this one brilliant idea and then everything is going to be great. But the fact is that coming up with an idea is the least important part of creating something great. It has to be the right idea and have good taste, but the execution and delivery are what's key.
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I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.
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Some people are brilliant on the first take, some people are brilliant on the fourth take, and when you are doing a group scene, you kind of have to figure that out.
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We built everything - toilets included. I think those islands in the middle of nowhere are quite poetic. It's kind of an Oriental Atlantis.
