Explore Quotes
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Horror, almost better than any of the other genres, pits the will to live against the will toward nihilism. I just think that's worth exploring. I don't know what is more important, actually, to explore than that very dynamic.
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In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.
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It's fun to explore behavior that you can't explore in your own life, so you fool around with it in acting.
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I began to think that there was a place for 'Footloose' to get retold again, that there was actually a more conducive political climate, an emotional climate to explore a town that has experienced a trauma and a shock, and starts overreacting.
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You can't use an old map to explore a new world.
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Change is the principal feature of our age and literature should explore how people deal with it. The best science fiction does that, head-on.
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I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character.
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While Poe and the Symbolists were exploring the irrational in literature, Freud had begun to explore the resonant figure/ground double-plot of the conscious and unconscious.
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Film has the potential of allowing me to explore my own ideas, which I find very attractive.
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I was excited to come to Australia to shoot for Seafolly because I've been wanting to visit since I was young. There wasn't much time to explore because we were so busy, which happens often during shoots. We had to take a boat to the Whitsunday Islands every day to get to the locations, which was a great way to start the day.
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I discovered the fun of genre is... you get to explore your fears, and you get to use the metaphor of the genre - whether it's a giant monster or a... 12-year-old vampire. Whatever it is, you can sink something underneath the surface and make a personal film under the guise of great fun romp.
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I climb up, go down again, then climb up once more; between all my studies, as a relaxation I explore every footpath, always curious to see something new.
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I always wanted to make a children's album because you have the freedom to explore so many wonderful topics and sounds.
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In 'Winter Soldier' - in terms of character-based, 'Winter Soldier' was so specifically for us: everything in that movie was designed around that version of Captain America that we wanted to see, that we wanted to explore. Everything in that film, all of the stylistic choices just flow from that.
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The whole point of science fiction is that you explore the effect of ideas on a society.
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There is a lot of territory out there still to explore TV-wise, show-wise, movie-wise, everything.
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Sendak's 1963 classic 'Where The Wild Things Are' has long been a favorite of mine because of the creative imagery, fantastic adventures and, most of all, because of how this timeless story shows us that children need to be free to roam, explore and invent in order to understand their place in the world that surrounds them.
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Much like dystopian and post-apocalyptic books are a way to explore the worst-case scenarios lurking around the corner, fantasy can serve as a wonderful tool for showing kids that they have an inherent power in them to create change, both in themselves and in their community.
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Soap operas were my first professional experiences, and I always knew I was eager to explore a lot more work in a lot more arenas.
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A move to a different town or school gives us new places to explore, new people to meet; a lost pet means we have to organize a careful search; baby-sitting requires looking out for dangers a young child can't foresee; a car crash or fire demands that we get help immediately.
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I think there were a few things that really interested me. One was that I didn't know a lot about hooligan culture. I'd heard of football violence but I didn't quite understand how intense it really is, how organized it is, and more importantly, how these people aren't necessarily criminals or thugs in their daily life. They almost have this sort of double life. They're people with families and some of them have relatively good jobs. That fascinated me. And also the opportunity of being able to take a character from that kind of relatively innocent place to essentially making him a hooligan was very attractive to me. To explore a darker side of humanity that I'd not really explored in film before just as an actor was an interesting challenge.
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If I want to do something in the TV industry, I should be allowed to explore that, but not in a way where it has to cancel out or ruin my visual art career.
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I just like to explore honest thoughts or feelings. How I'm feeling at the time. I want to explore it and talk about it and have a conversation with the audience. I want to throw something out there, see how they feel about it, and tell them how I feel about it. I know that's really relaxed, but that's the most fun.
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When I've pictured what Heaven would be like, I've always imagined myself free to explore the outer reaches of space.
