About Quotes
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'Aye Zindagi' is a show which is about stories inspired by real-life incidents. You might be able to relate to these stories, as it can be about anyone around you.
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I've tried to write in a way that transcends beyond just sexuality and is more about letting go of our fear and trusting the people around us.
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Mozart's House' had been on our Myspace page for a while and had about 50 views.
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Cities are about juxtaposition.
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Drama is more universal. We all cry about the same stuff. But comedy is very specific: It depends on where you were born, how old you are, your social-economic status. It's very complicated to make people laugh.
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I know a lot about a few things - mostly useless things.
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It's not about the money. This is about Terri. It's not about the Schindlers, it's not about the legislators, it's not about me, it's about what Terri Schiavo wanted.
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It's the most unrealistic thing you can do to shoot a close-up, and it's the most unrealistic place you can be as a performer. And yet actors grouse about having to do visual effect shots, but they love doing close-ups.
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I love the fact that people love my work, and they love me as who I am. I think I am pretty blessed, and I am glad I am in this position, and I am really happy about that.
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I haven't done a book for about 3 or 4 years now.
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De La Hoya doesn't know about salsa. He should keep on singing mariachis and leave the salsa to me. I'm good at salsa.
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Anything you read about him, multiply it by two.
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I had been the dutiful son and husband for so long, I had forgotten about living for myself.
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I dislike all those cookie-cutter Nashville songs. You know the ones: about tight jeans and pick-up trucks.
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I scored about 40 goals with Roma, so that's quite good.
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I try to limit my time with Michael Davies to as little as possible per week, and he is pretty good with that, since he has a bazillion things to do. When I do see him, I try not to talk about dental work or anything like that because I know the Brits get very sensitive.
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People are still crazy about Python after twenty-five years, which I find hard to believe.
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We talk about the past like it's the strangest dream. Then we repeat the things we never dreamed we'd do.
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We were in Little Rock. We were assessing a very important issue. In the midst of our discussions, we were receiving urgent inquiries from The Washington Post asking about interviews.
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You can think deeper and deeper and deeper and deeper into a subject, depending on what you are writing about.
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I owe a lot to Darren Perry. I don't think I'd be this far this early if it wasn't for him pushing me to run an extra second or showing me a play on film and telling me when I see it, that's the green light to go do it and don't be afraid to take that next step and take chances. That's what the game is about.
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South Africa had very poor repertory distribution. I didn't find out about Akira Kurosawa and Tarkovsky and Werner Herzog until I got to the U.K.
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If you put someone in a job who is thinking for even a moment about the next job, you have the wrong person.
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And this speaks to the larger problem that no one wants to talk about: the restoration of the Roman rite is a precondition for a long-term fix for the problem.
