Black Quotes
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Another Black Label motto. That's what I think life is. It's just another bridge to cross. You ask no questions. Whatever work it is you gotta do, you gotta go over it, under it, through it, around it, to do it.
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There's somethin' about singing, that is the business! You sing, women go crazy! 'Cause Mick Jagger is an ugly motherfucker...with big-ass lips! Mick Jagger's lips so big, black people be goin', 'He got some big-ass lips! These are big motherfuckin' lips!'
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There had always been black people in and out of our house, and from the outset I had been taught that for them life was defined by struggle and filled with injustice.
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It's important for youth, black youths particularly, to be able to fill in the blanks of themselves so they can know completely who they are, but also all the country to understand what this means: what the civil rights movement does to us as people. It is part of the journey that we must be on in order to become fully evolved human beings.
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There was a certain feeling I developed as a young person for black people. Somehow they were able to get pleasure out of things that I couldn't see them enjoying. I heard them sing a lot, and I didn't hear white folks going down the cotton rows singing that much.
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I am thrilled and proud of Benjamin Watson for speaking up on behalf of innocent black lives, traditionally an unpopular stance in the mainstream media.
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The only way we are going to get diversity is if the demographics of the decision-makers change... The odd-token bone thrown is not going to do it. Don't pat yourself on the back because you made that black drama; that's not diversity. It's got to be baked into the foundation of where the ideas flow from.
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I wanted to identify that the black experience is American experience.
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I was unique in that I was a kind of black that white people could accept. I was their daydream. I had the worst kind of acceptance because it was never for how great I was or what I contributed. It was because of the way I looked.
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We have to create a range, and we have to let there be possibilities. And basically, by showing there are different types of people, you write down the monolith. You stop having to represent for all black people when you allow there to be different types represented.
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I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
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What I found fascinating was just how quickly the best of the young Negro League players were drafted into the major leagues once Branch Rickey broke the color line by hiring Jackie Robinson. It was clear that all of the major league owners already knew the talents of the black ballplayers that they had refused to let into their league.
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I'm trying to illuminate how perilously narrow we draw the concepts of masculinity and sexuality in our male culture - particularly in black male culture - and to help people to see that there's room enough for everyone.
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Even during my youth, I can recall very few black people living on any kind of public assistance. People were working, doing some kind of job that was useful to the community.
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I'm a sponge for historical images of black people and black history on film.
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#BlackLivesMatter brought a new sense of urgency, audacity, and outrage to the issue of police violence against black men that has made it impossible to ignore, to cover up, or to justify.
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I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies.
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On 'Nip/Tuck,' I was a Nazi, so basically for, like, six months. I went into this place where I was wearing a lot of black. Everyone has a dark side, and I can channel that.
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It's impossible for most black Americans to construct full family trees. Official census records, used by so many genealogy enthusiasts to piece together their families' pasts, don't include our non-European ancestors.
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I'm from New Orleans, Louisiana. It's not a black-and-white type of thing down there. It's a very cultural place. Everybody has the same accent. It's not like if you're white we can't hang with you or anything like that. So it's easy for us to call each other out on our things.
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The black immigrant experience in the U.S. must be understood not in contrast to the African American experience but as an integral part of it.
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During past years, like frightened children, we were afraid to eat the strong meat of human rights and instead sucked the milk of civil rights from the breasts of white liberals, black Uncle Toms, and Aunt Jemimas.
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There is no such thing as a black middle class.
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My birthmark essentially looks like I have a black eye. It isn't that bad, so you can imagine if it has been this big a part of my life, think of what it must be like for children with more serious birthmarks that cover half their face.
