Black Quotes
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'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
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In the same way that Occupy Wall Street forever elevated that concept of income inequality, the Black Lives Matter protesters have elevated the idea of inequity in policing as it relates to minority communities.
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A true nature is a gloomy monolith, sort of like that old black rotary phone that I had to sing 'Happy Birthday' to Grandpa on. But novelists, damn us, still need true natures - so we can give them to our protagonists. And so readers can vaguely predict how they'll behave when we trap them in 'situations' that they can't IM their way out of.
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I never learned how to be adequately black. I never learned how to be black at all.
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We do not even inquire whether a black man is a rebel in arms, or not, if he is black, be he friend or foe, he is thought best kept at a distance. It is hardly possible God will let us succeed while such enormities are practiced.
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There are so many things to talk about between black people, Hispanic people, white people, gay people, men, women, it's all based on fear. We all have fears, this thing that stops us from embracing as we are one. We are never going to be one. People are messed up, but humor lets us see how ignorant we can be.
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The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now— James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it? No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too.
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When I look into the crowd, I see young and old, black and white - it's amazing that I'm able to connect with so many different kinds of people.
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I went to Wellesley College, and it was really hard for me to get a job after I graduated. I would go into places where I would not see any black people at all in Boston - like, zero. And then in publishing in New York City, it was pretty much the same. I knew that it wasn't about the value of my work.
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Sheriff Bart waking up a drunk Jim in jail: Are we awake?Jim 'The Waco Kid': We don't know. Are we black?Sheriff Bart: Yes we are.Jim 'The Waco Kid': Then we're awake, but we're very puzzled.
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Work for black women has been an important and valued dimension of Afrocentric definitions of black motherhood.
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I never felt that I was supposed to be white. Or black, either. My parents just wanted to let me be who I needed to be.
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You have little representation of young black men in the business sector, so you have children growing up in disadvantaged neighborhoods who don't hear discussions at the dinner table about what goes on in business. It's almost as if we have two nations.
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With 'City of Black & White,' I wanted a record that would make you feel good, that would sort of take you up in its hand and sweep you along.
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We keep calling for accountability and reinvestment and a push for all of us to imagine a world where black people are not policed but instead supported and loved and cared for. Where our families can feel safe and inspired and protected.
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Black and brown communities are significantly and disproportionately impacted by deficiencies in our criminal justice system.
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'City Of Black And White' was me trying to do something more mature, more adult contemporary.
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Liberals believe they own the franchise on minorities and can't stand any Hispanic or black who breaks rank.
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It was the Michael Jordan/Nike phenomenon that really let people see that athletes were OK, and black athletes were OK. Defying a previous wisdom - not only that black athletes wouldn't sell in white America, but that the NBA as a predominantly black sport could not sell in white America.
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Our way of living together in America is a strong but delicate fabric. It is made up of many threads. It has been woven over many centuries by the patience and sacrifice of countless liberty-loving men and women. It serves as a cloak for the protection of poor and rich, of black and white, of Jew and Gentile, of foreign and native born. Let us not tear it asunder. For no man knows, once it is destroyed, where or when man will find its protective warmth again.
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Having a separate bathroom for the black domestic was just the way things were done. It had faded out in new homes by the time the '70s and '80s rolled up.
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I have lots of hopes for black actors in general, whether they be on TV or on stage or in movies, and that is that we move beyond the tokenism of what it means to be black in a particular set of circumstances.
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I want to see somebody go to jail over the financial crisis and not just black, brown and poor whites over humbles and minor drug beefs.
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If any personal description of me is thought desirable, it may be said I am, in height, six feet four inches, nearly; lean in flesh, weighing on an average one hundred and eighty pounds; dark complexion, with coarse black hair and gray eyes. No other marks or brands recollected.
