Black Quotes
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When I black out, it's the happiest time of my life.
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Honestly, without art and dance, I think I would be a very safe, black-and-white thinker. I wouldn't dare to take any risks or see so much of the world in myself and other people!
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I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.
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When 'Raw Like Sushi' came out in the U.S., I wasn't considered to be black enough. They didn't really know where to put me. The music wasn't 'black black' sounding. It wasn't R&B; it wasn't straight up hip-hop, although obviously in that dimension and world.
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If I'm a racist, why is one of the top civil rights activists of the 1960s asking me to be a centerpiece of the MLK dinner. Why am I the only one who has the guts to stand up to this Democrat Media Complex that insists that black people must exist on the Democrat plantation.
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I grew up hearing, 'You're pretty for a black girl,' 'You speak well for a black girl...' I was really bookish. I was reading all of the time. I had big glasses.
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I consider myself a human being, a Christian, a father, a husband, so many things, before being a black person.
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I think it's not a femme fatale when someone is not doing it to manipulate men or be like a black widow. She loves him. She does it out of love. She wants him so badly to stay with her.
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Ebonics - or black English, as I prefer to call it - is one of a great many dialects of English. And so English comes in a great many varieties, and black English is one of them.
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I've been a swimmer and a diver for quite a while. It was something that I think I got too comfortable with, and I dove into my black-bottomed pool and hit the slope from the shallow end to the deep end. And I had a chin to chest paralyzing break.
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I'm normally late, so I just kind of throw on the sort of thing that's at hand. And then I'll go through phases of wearing the same thing again and again and again - and my wardrobe is mainly about black and white, so it goes together. I'll play with certain elements, but I don't really think about it too much.
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I'm a vagabond. I live out of one suitcase. I feel very comfortable in black. I feel very uncomfortable in anything else than black.
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I just want to tell black stories.
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'The coolest thing for me is the experience of floating and not feeling my weight. And hanging by a window just after sunset and watching the stars in the big black dome of the sky as the earth moves underneath.'
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All black everyday always
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There's a lot of single black women who did the best that they could and that's a beautiful thing, but they don't know how necessary a father is in a kid's life and how much guys miss that deep down inside.
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I think Black people need to take self-esteem seriously.
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If the light is right, you can squint at the Taj and see the specter of its black twin on the other side of the Yamuna - and it is then that you truly marvel not just at the Taj, but at the wonder of what might have been.
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I'm something of a black belt at break-ups. I have had two long-term relationships in my life, both of 10 years, both resulting in children, and both very much over. Things end. It is how you manage them being over that's key.
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It's self-effacing, it's hard-luck, the shtetl stories. All those Coasters things are an amalgam of Yiddish and black humor.
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Every time you see a black romance, it's over-the-top. There always has to be extreme hostility between the sexes. He has to cheat. She has to show him how independently strong she is, not just as a woman but as a black woman.
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Me and my brother lived in kind of a shed behind our house, and it was cold. We really lived kind of a dirty existence. It was tough to move away from my father and grandfather in California. I wore socks that were so dirty they were hard and black, and I would go into the lost and found box at school and look for clothes.
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Being a black belt from the Nogueira brothers, I have the obligation to always defend myself well on the ground.
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Reggie Campbell and Kathleen Goldsmith are participants in an American success story, the unprecedented boom of home-buying by African-Americans in the 1990s. Only he is black and she is white. When he moved into the neighborhood, she moved out.