Producer Quotes
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We sent a troupe to Edinborough, and then in Edinborough, there was a producer from the Melbourne Comedy Festival, so we went to Melbourne. So it's one of these shows that kind of organically developed and it started developing momentum way before I even thought there was a show here.
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On Belle de Jour, the producer was very protective. It was very hard for me.
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One of the reasons I am successful as a producer is that I've been a very successful housewife.
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Immediately after the Floyd experience, I became a pop record producer.
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I decided I was going to be the first producer to have a manager. And those songs became the background of the first Project album.
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With our producer, Greg Fidelman, it was really a joy to work with him and to try different things and experiment.
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I don't know anything about this. I only know how to make tofu. I can make fried tofu, boiled tofu, stuffed tofu.
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God has been my number one inspiration. I also look up to Will Smith and Jamie Fox who are also personal friends of mine. They give me great career advice. I would also include Chris Stokes, as a filmmaker and music producer. I've been working with him since I was eight.
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All music done, as I said, through low res mp3 and $5 earbuds and so I think as a producer or a band you want your music to sound good in that medium. Sometimes when I'm doing a mix I'll listen to it on my laptop, on the crappy speakers on my laptop. It lets me know what the tracks gonna sound like if someone else listens to it that way.
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I was a producer and rapper before Linkin Park. Once the band took off, it was the center of my focus. A couple of years ago, I started missing doing straight-up hip hop, and that's when Fort Minor began.
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When I first started out, they were like, 'Is there anybody that you like that you want to work with, and we'll see what we can do?' And I went, 'I like Malay,' who's Frank Ocean's producer, and they were like, 'Not going to happen.' It did seem so, like, high-in-the-sky sort of thing, do you know what I mean? It still does, that it happened.
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There is a difference between a great producer and somebody who is a big advocate of your music. Just because you're a big advocate for a band doesn't mean you need to be in the studio with them, and at the same time - we don't need to get into this conversation - you can write a hit, but it might not hit.
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Every producer in Hollywood had set me down as a type. I was both amused and disappointed.
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I got the role because the producer thought I looked tired, but I looked tired because I had been jogging earlier that day.
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I really hope someday in Hollywood, some producer or director will hire me only to do drama.
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Stop waiting for a producer. Produce yourself.
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The only guy who was at all helpful as a producer was Sam Spiegel with On the Waterfront. He's one of the few who even knows what he's doing.
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I'm a backseat producer. I know what I don't like, what I do like, and I'm very vocal about that. I work with people that I have a good working relationship with and are understanding that I have a certain vision, but don't necessarily know how to vocalize that all the time.
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I was too heavy to be a jockey and too honest to be a producer, so I became a writer.
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There's no great technical expertise in being a movie producer.
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My brother's friend worked at a TV station, so we went in; the producer of a show asked if I wouldn't mind taking some photos for his wife, who was a talent agent. Next thing I know, I'm enroute to the agency.
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I love Kanye for that. Being a producer, making beats, and being a rapper. He does it all.
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Movement came out while we were away. The reviews were OK, and though I grew to like it more and more as the years went by, we weren’t especially happy with it at the time. When we listened to the finished product what we heard was the sound of a band whose producer had lost faith. You could hear it. The album had ended up sounding like a Joy Division album with New Order vocals.
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Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose?