Producer Quotes
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On working with her producer boyfriend: Working together was a bit of a disaster. I'd tell him his ideas were cr*p and he'd say the same about mine.
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Rarely a producer gives me music and I write to it. I think that's too easy. Most of the time for me, it's on an elevator or in my car listening to absolutely nothing. I'll just be driving and then the lyrics birth.
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And I may often question choices I make as a producer. But I've never questioned the choices I make as a director.
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I'm proud of Big K.R.I.T., I'm proud that the person that came after me shares so many similar views as mine. From him being a producer, to him being a God-fearing man - being political in a sense that he wants to see the poverty-stricken do better. He wants to be the spokesperson for them.
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Ted Templeman, the producer, and Donn Landee, the engineer, are the same team that signed Van Halen, when they were called Mammoth. Donn convinced them to change it to the last name of the guitar player and drummer.
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I have to admit that I am not great at selecting music for CDs! I have a few personal favorites, and then I let my producer take it from there!
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Isn't Timbaland a make of shoe? It's a producer? I don't know who that is. Oh well.
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I'm a backseat producer. I know what I don't like, what I do like, and I'm very vocal about that. I work with people that I have a good working relationship with and are understanding that I have a certain vision, but don't necessarily know how to vocalize that all the time.
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I also began hearing the lyrics. A friend suggested I talk to a producer.
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It’s no secret that I’m one of the few techno producers that does not shy away from using melodies in my productions. This track features a nice Arpeggio, and several analog synth strings while still maintaining a good amount of energy.
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Steve produced Girls Grow Up Faster Than Boys and one more. Then he and I wrote a few songs together and became good friends. He was a talented producer.
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Let me tell you about being executive producer. It is not a job, it's a title. Don't go around asking executive producers what they do because they don't do anything, alright?
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I'm a producer first, and I know music, so I can jump on any song, whether it's pop or urban, without changing me. Whatever I do, I'm gonna make it classic.
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I live a normal life. But I'm always thinking about what I'm going to do next, musically. 'Do I need a fresh producer? What was Peter Gabriel doing when he was 32?'
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I had 25 or 30 songs. Sequencing the record, I left that to the producer. I'm not into doing that stuff.
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I tend to start with a full set of lyrics, and then my producer, Joel Little, and I work on the music collaboratively.
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When I started 'Hudson Hawk,' I realized I was dealing with a strong-willed producer, a strong-willed actor, and, at times, a strong-willed studio, and I was the junior partner in all of this - the guy who hadn't proven anything in terms of box-office success.
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A good producer. His job is not only to help a band make a great record, but also to bring out the best in his musicians by creating an encouraging, comfortable atmosphere in the studio, so that everyone feels good about themselves.
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We can be in the studio with the hottest producer, but we might not be able to create any magic! It's not about the hottest. It's about who we feel we have that connection with, and that's who we're going to be working with.
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I really didn't even pick producers. I just picked beats, except for Dre - he's the only producer I knew I wanted to work with.
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I thought I'd be a low-key producer or something, politics and film at the same time. But also, I'm not a big movie person - my girlfriend gets mad at me because I go to sleep whenever we go to the movies.
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I mean, just like every other prominent songwriter or producer, you have the shot. You send in records and if they make it, they make it. If they get heard, they get heard. I'm not sure if you know how that circle of songwriting and producing works, but every time a big artist is working, everybody and their mother is in the studio writing records to try to get on it.
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I don't put myself in any box or say that I can't work on any kind of music. I'm not just a producer that only makes urban music.
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The foreign-language Oscar is something that doesn't go to the producer or the director; it goes to the country.
