Comics Quotes
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That's the type of thing you need to keep in mind when drawing comics. The storytelling. Consider the action and the space available to you, that's what will make it a great comics page. Once you've figured that out, you can always find/make the reference to support your storytelling decisions. So by all means, study film, but as with any reference, the results are better when they inform the craft and not dictate it.
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I went to art school, and that's how I got the internship, and then I started a band. But I always missed comics, I always wanted to do them.
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The thing about 'Watchmen' that people should know is that when it came out there was absolutely nothing like it. Up until then, comics were about the same thing: a guy in tights fighting another guy in tights and saving the girl - that was it.
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I don't think the potential for comics in nonfiction has been exploited nearly as much as it could be.
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I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.
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It would take a lifetime to read all the webcomics published in one year.
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A lot of the other things in my life like making music, you know that's a very collaborative thing so I work on comics because it's not something that's a solo activity.
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Still,[...] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience.
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I ended up reading comics and just started drawing at a very young age. By high school, I was putting together longer stories. In college, I started doing strips for the newspaper and doing mini-comics. It sort of grew in scope and scale over time.
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It wasn't until I discovered comics that I actually began to approach drawing as a possible career.
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The term comics long ago became obsolete and inaccurate. It merely defined the content of the early joke-based comical strips. Sequential Art is a more accurate description of the form. I first suggested it because I believed something needed to be done to correct the feeling of inferiority by artists and writers in this field.
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Today, comics is one of the very few forms of mass communication in which individual voices still have a chance to be heard.
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I think all comics borrow from each other. Only a few have an original voice, and I wasn't one of them. In the end, I couldn't figure out who to steal from, so I stopped doing it.
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A lot of young artists in particular think you can just do one great thing and then sit back and collect checks. Most artists, even people like Dan Clowes, who's one of my heroes, don't just do comics. He does paid illustration. He writes screenplays, and so forth, working and selling lots of different things.
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Space does for comics what time does for film!
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When I was nine years old I use to copy - not trace - the covers of the Donald Duck comics. Many years later I became a close friend of Jack Hannah, the director of the Donald Duck film shorts.
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If you don't have that empty white space around everything in the comics, the border of the page, then it feels like you're a little claustrophobic.
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As long as somebody is guaranteed a certain number of sales you know you're gonna keep seeing these vanity projects. I mean they have a place, they serve a function they can bring people into comics.
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Comic-Con is definitely grown from just being about comics to being about all forms of media.
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The method of producing comics in Japan is very hectic, but it's also rewarding because it's possible to do both the story and art all by yourself.
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Comics, a lot of them, are really depressed people, and I happen to be somebody that does have a lot of confidence. That's the odd thing about my stand-up. I am very confident. I always was.
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The comics that are just conversing with you up there and drawing on their own life, yeah, I guess so. I guess some do political humor, some do topical humor, but the ones that I like, the ones that are appealing to me, were guys who were just talking to you about their life.
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I never think there's any competition between films. I root for everybody's films. I especially have a fond place in my heart for graphic novels and comics.
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It was cool to me, as a fan of the comics, to see some of the villains that end up finding them there, and the way that they abuse Coulson before the superheroes come. I'm always, in the movies or in the animated series, getting into trouble that a superhero has to bail me out of.
