Comics Quotes
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It wasn't until I discovered comics that I actually began to approach drawing as a possible career.
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It's cool if people want to make movies of stuff, but I'm really interested in the comics.
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If you don't have that empty white space around everything in the comics, the border of the page, then it feels like you're a little claustrophobic.
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I loved underground comics and psychedelic art. I did like some supernatural horror, but mainly fantasy. I was into escapism.
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I ended up reading comics and just started drawing at a very young age. By high school, I was putting together longer stories. In college, I started doing strips for the newspaper and doing mini-comics. It sort of grew in scope and scale over time.
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I had done a couple TV pilots, and a friend of mine wanted to leave comics and come work in Hollywood, and I said, "Well, you've got to understand that when you sell a TV pilot, imagine if you turned in the best issue of Batman ever, and DC was like, 'Well we love this, but we can't publish it because we have to publish this other thing by this other person." The odds are really long on getting anything made, so if you come from comics and you're still making a living in comics, that really helps because you're not desperate for someone's permission to write for a living.
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As long as somebody is guaranteed a certain number of sales you know you're gonna keep seeing these vanity projects. I mean they have a place, they serve a function they can bring people into comics.
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It was cool to me, as a fan of the comics, to see some of the villains that end up finding them there, and the way that they abuse Coulson before the superheroes come. I'm always, in the movies or in the animated series, getting into trouble that a superhero has to bail me out of.
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The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
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I never think there's any competition between films. I root for everybody's films. I especially have a fond place in my heart for graphic novels and comics.
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It's important to continue to change and evolve in the way that the comics change and evolve.
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I've always been very forward-looking, and it was actually kind of difficult to turn my gaze backwards to look at comics history.
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I love comics, and I can't imagine life without them. I love newspaper comics.
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I wouldn't necessarily have been making books about how to make comics if I'd really felt I knew how to make comics.
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There's a very big part of me that just wants to take all of comics history and toss it on the bonfire. I'd sort of like to get on to the future.
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It was harder to break into comics than it was to become a singer in a rock band.
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Comics is a great medium to get a lot of stories out.
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The beauty with comics - and also the risk - is it is a far smaller number of voices. It's the writer and the artist and to a lesser extent the editor, who typically is the silent partner, if you've got a good enough team. Whatever you put out is the author's intent. You have to be able to defend that, of course. You have no one to hide behind, or no one to blame but yourselves, which I find refreshing because I've found in film too many times I've been blamed for other people's decisions.
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I have read countless comics books while listening to hip hop, and as a young one, I wasted countless hours practicing nunchuks to Schoolly D's "Saturday Night." I would give anything for a video of that.
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Comics who grew up surviving their childhood by being able to be the first one to make the joke about their weight or their hairy arms - like me - whatever they're insecure about, whatever they're apologizing for, that becomes their strength.
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Here's what I wish people wouldn't ask me: "Who are your influences?" That's a boring question. It's not even like, "What's it like to be a woman in comedy?" That question also happens often in interviews, but I at least understand where it's coming from. "Who are your influences" - I wonder if people ask that of male comics? Maybe they do.
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It seems to be a common denominator with a lot of comics, this low self-esteem thing.
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I spent 10 years in professional politics and eight writing comics, and so I look at it from both sides. I don't understand the logic in being frustrated with a system, so you choose to be a part of the reason why the system is so frustrating. If everybody voted, it wouldn't be this way.
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Webcomics are much bigger than any one scene can circumscribe.
