Comics Quotes
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I get a lot of comics, and I can look at a comic and tell immediately whether I'll enjoy it or not. There are elements in the stories that I have no rapport with. I see dirty language, I see sleazy backgrounds; I see it reflected in the movies, the movies are comics to me. And I don't see a sleazy world. I see hope. I see a positive world.
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I really believe in the power of comics as an educational thing, even ones as silly as mine, because they're a gateway to the actual thing. They're like an easy entrance.
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I've never done anything half-heartedly. It's the reason my comics did well. It's the reason my comics were drawn well. I can't do anything bad.
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The idea that comics stores, distributors and publishers simply 'give the customers what they want' is nonsense. What the customers wanted they didn't get - and they left.
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My monsters were lovable monsters. I gave them names - some were evil and some were good. They made sales, and that's always been my prime object in comics.
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My love of comics did start with anime.
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Comics, which are really best described as an arrangement of images in a sequence that tell a story - an idea - is a very old form of graphic communication. It began with the hieroglyphics in Egypt, it first appeared in a recognizable form in the Medieval times as copper plates produced by the Catholic church to tell morality stories.
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The whole thing about comics is the reason I think you shoot to be a comics author is because it's a very solitary activity and that you sit down and you're arguing with yourself that's kinda the plan.
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My father brought me my first stack of comics, when I was seven years old and in the hospital. I was not a well child. And that's where my love for comics began.
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Those of you who are not aware of my brilliant career as a stand up comic, I'm not aware of it either so we might well wonder what we're doing here.
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I'd been a fanatic of movies since I was a wee lad, so I got into the films before I got into the comics.
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I'd love to see more equal representation of female and male cartoonists on the comics page.
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The most unrealistic thing I've ever read in comics is when some group of characters calls themselves the Brotherhood of Evil or the Masters of Evil. I don't believe any character believes their goals to be truly evil.
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Comics deal with two fundamental communicating devices: words and images. Admittedly this is an arbitrary separation. But, since in the modern world of communication they are treated as independent disciplines, it seems valid. Actually, the are derivatives of a single origin and in the skillful employment of words and images lies the expressive potential of the medium.
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I have always loved Las Vegas. It's a traditional place for lounge comics to perform, and I love that.
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I do get the comics online I guess but it's such a pain. I'd rather just get them in the paper and read them.
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I never gave up on 'Archie.' I started picking up 'Archie' comics when I was in my thirties, and then I started subscribing to them.
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All through my comics career, I was always trying to reinvent the form.
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The plan was that I was going to do comics, and then the music just cam up in my life and was a detour.
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As I see it, mainstream comics now speak only to the hardcore few who stayed; conversing in a weird, garbled, visual pig latin only they can understand - rendering the term 'mainstream' a hollow joke - while the true mainstream, the other 99.9% of the populace, find enjoyment elsewhere.
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There are very few comics that understand about exciting the crowd, and that's what I always prided myself on: giving a more confident macho attitude towards delivering material.
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I was told I make intelligent comics, and then I made a comic about a horse that pooped.
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I don't think the potential for comics in nonfiction has been exploited nearly as much as it could be.
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I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.
