Images Quotes
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The eye, like a shattered mirror, multiplies the images of sorrow...
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Peter Fonda was just this clean, cookie-cutter kind of a guy. Roger Corman turned him into the motorcycle man with The Wild Angels. Jack Nicholson, all of them, they all had these images that Roger Corman fueled, and Easy Rider, it was a big surprise to understand how much creative influence Roger had. A lot of people dismiss him as just launching famous people's careers or being a penny pinching producer, but he's so much more than that.
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As you work, the mood grows on you. There are certain images which suddenly get hold of me and I really want to do them. But it's true to say that the excitement and possibilities are in the working and obviously can only come in the working.
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If young people are exposed to images of African American academic achievement in their early years, they won’t have to define school achievement as something for Whites only. They will know that there is a long history of Black intellectual achievement.
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The Concerned Photographer produces images in which genuine human feeling predominates over commercial cynicism or disinterested formalism.
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My job is to make images and leave the decision-making and conclusion-draw ing to other people.
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I need to go towards the illogical. This world we live in destroys us. It is always governed by the same laws. You have to create images that don’t belong to it. That are totally different from those it presents us.
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The past is never dead. It's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose providence dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always.
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Begin to act from your dominion. Declare the truth by telling yourself that there is nothing to be afraid of, that you no longer entertain any images of fear.
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I simply painted images of what was before my eyes; it is for others to find hidden meaning in them.
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Without images we can neither think nor understand anything.
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I do not say with words. I do not say it with images either.… I do not say, I show. I show people who move and speak. That is all I know how to do, but that is my true subject.
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Not all lines, not all images, survive their season.
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Think clearly, act sensibly, commit yourself to caring and work hard in order to discover joy. Then give the images back to the world from which they were taken.
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We know only what we do, what we make, what we construct; and all that we make, all that we construct, are realities. I call them images, not in Plato's sense (namely that they are only reflections of reality), but I hold that these images are the reality itself and that there is no reality beyond this reality except when in our creative process we change the images: then we have created new realities.
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I love acting with very little dialogue. As long as it's supported. I mean, in terms of cinema, you can have a great monologue, but if you're not supported by the images ... You can be feeling things and then you see it back, and you're like, "None of that came across." Or the angle of my face gives it a completely different interpretation than what I was trying to communicate.
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New York waiters, probably the surliest in the Western world . . . are better images of their city than that journalistic favorite the taxi driver.
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But the images of men's wits and knowledges remain in books, exempted from the wrong of time, and capable of perpetual renovation.
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We will gather images and images of images up till the last, which is blank. This one we will agree on.
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I am the first to be surprised and often terrified by the images that I see appear on my canvas.
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Travel is something that I like to do because it gives you lots of images, and it also really makes you think about your own place in the world in a very different way.
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Images and physical sensations may deluge patients at this point, and the therapist must be familiar with ways to stem torrents of sensation and emotion to prevent them from becoming retraumatized by accessing the past.
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If you cannot think of anything to say that is useful or enlightening about your images, then don't say anything. There are plenty of other people who would love to put words in your mouth.
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I have always said that archival images are images without imagination. They petrify thought and kill any power of evocation.
