Images Quotes
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The past is never dead. It's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose providence dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always.
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We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.
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Images and physical sensations may deluge patients at this point, and the therapist must be familiar with ways to stem torrents of sensation and emotion to prevent them from becoming retraumatized by accessing the past.
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Think clearly, act sensibly, commit yourself to caring and work hard in order to discover joy. Then give the images back to the world from which they were taken.
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I am the first to be surprised and often terrified by the images that I see appear on my canvas.
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it's not my job to preach a sermon. Art is anyhow a homily. My job is to speak in living images, not in arguments. I must exhibit life full-face, not discuss life.
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Without images we can neither think nor understand anything.
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People who look for symbolic meaning fail to grasp the inherent poetry and mystery of the images.
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I simply painted images of what was before my eyes; it is for others to find hidden meaning in them.
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Begin to act from your dominion. Declare the truth by telling yourself that there is nothing to be afraid of, that you no longer entertain any images of fear.
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But the images of men's wits and knowledges remain in books, exempted from the wrong of time, and capable of perpetual renovation.
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My job is to make images and leave the decision-making and conclusion-draw ing to other people.
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Not all lines, not all images, survive their season.
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We're trying to be a content destination for viral images and to be an entertainment destination in general.
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I need to go towards the illogical. This world we live in destroys us. It is always governed by the same laws. You have to create images that don’t belong to it. That are totally different from those it presents us.
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I do not say with words. I do not say it with images either.… I do not say, I show. I show people who move and speak. That is all I know how to do, but that is my true subject.
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The Concerned Photographer produces images in which genuine human feeling predominates over commercial cynicism or disinterested formalism.
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Peter Fonda was just this clean, cookie-cutter kind of a guy. Roger Corman turned him into the motorcycle man with The Wild Angels. Jack Nicholson, all of them, they all had these images that Roger Corman fueled, and Easy Rider, it was a big surprise to understand how much creative influence Roger had. A lot of people dismiss him as just launching famous people's careers or being a penny pinching producer, but he's so much more than that.
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Images at their passionate and truthful best are as powerful as words can ever be. If they alone cannot bring change, they can at least provide and understanding mirror of man's actions, thereby sharpening human awareness and awakening conscience.
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New York waiters, probably the surliest in the Western world . . . are better images of their city than that journalistic favorite the taxi driver.
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If young people are exposed to images of African American academic achievement in their early years, they won’t have to define school achievement as something for Whites only. They will know that there is a long history of Black intellectual achievement.
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We will gather images and images of images up till the last, which is blank. This one we will agree on.
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We become reactive and disorganized; our filters stop working—sounds and lights bother us, unwanted images from the past intrude on our minds, and we panic or fly into rages.
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I love acting with very little dialogue. As long as it's supported. I mean, in terms of cinema, you can have a great monologue, but if you're not supported by the images ... You can be feeling things and then you see it back, and you're like, "None of that came across." Or the angle of my face gives it a completely different interpretation than what I was trying to communicate.
