Superhero Quotes
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I haven't done a lot of things in my career that my kids can watch, because they are 8, 6 and 3, and they are pretty young; so given the concepts that the film was about a superhero, it was a black superhero, and it was a father and son type partnership.
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I want to be a superhero dad to where my kid feel like everything I do is nothing wrong.
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Harry Dresden: I'd made the vampire cry. Great. I felt like a real superhero. Harry Dresden, breaker of monsters' hearts.
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I feel like the word 'mom' and 'supermom' should be synonymous. When you are a mom, you are a superhero.
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I kind of do think of myself as a superhero and just flying high, and doing these crazy flips.
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I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.
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If a superhero knocks over a building, and there are 5,000 people in the building that we can presume are now dead, does it matter? Because they're not people we know. But if one dog we like gets run over by a car, it's the worst thing we've ever seen. I totally understand where that visceral reaction comes from. I have that same reaction.
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Twenty years ago my parents wouldn't know who the X-Men were, and now everybody knows that stuff. It means that deconstruction of the superhero is something you can do. All those movies have led to a point where we can finally have 'Watchmen' with a Superman character who doesn't want to save the world and a Batman who has trouble in bed.
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Sana Takeda is a genius. It's really that simple. Her vision and sense of story and beauty is beyond compare. I loved working with her on 'X-23.' I knew, though, that she could do much more beyond the constraints of a traditional superhero story.
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I really want to play a superhero. I want to take the role-model thing up a notch. I've always been a fan of movies and TV, and to be able to play the ultimate TV superhero would be awesome.
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Superheroes don't often get their powers in one fell swoop. It's like superhero puberty.
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I would like to be in a superhero movie where I do martial arts.
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People want to see something that isn't necessarily somebody walking around in a superhero costume.
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What is a superhero? They're supposed to represent hope, opportunity, and strength for everybody.
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A woman can be demure, lady-like and the most prim and proper character, and still have a toughness and resiliency as apparent as a superhero-type female character or a warrior or soldier type. It's all about the story, the character, and the course of events in that piece of work and how that character is presented.
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I am young, and I think all young guys would love to play a superhero - any superhero - it doesn't matter. I could be a superhero that would just turn into a big blob or something like that, but I could tell all the ladies, 'Hey, I am superhero!'
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It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations.
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If I wrote a Jewish superhero, he'd have awesome time-traveling powers. I'd call him Doctorow.
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People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
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At one point, I worked up a list of five requirements for a superhero: superpowers, a costume, a code name, a mission, and a milieu. If the character had three out of the five, they were a superhero. But that's just my definition.
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People, they think that animation is a style. Animation is just a technique. It's like, people, they think that comics is a style, like comics is a superhero story. Comic is just a narration, and is a medium, you can say any kind of story in comics and you can say of any kind of story in animation.
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When someone says 'comic book movies', what they inevitably mean is a summer superhero blockbuster, with heavily-muscled and tightly-gluted men (plus the occasional token woman) in tight-fitting costumes punching the living daylights out of one another for two hours.
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I was a poor kid. I came from nothing. We didn't have any money; a lot of times we didn't have any food, and now, all of a sudden, I'm a superhero in a Marvel movie? Talk about the American dream, man - I'm living it.
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Superheroes are the best of us. Never mind all those powers or the crazy costumes. The heart of a superhero is meant to inspire.
