Myself Quotes
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I consider myself a Texan. I grew up in Texas and Oklahoma.
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I want to be remembered going off the front, not the other way. After winning my seventh king-of-the-mountains title and winning a stage on Bastille Day, I asked myself, 'What more can I do in cycling?' I want to go out at the top.
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I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
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I really wanted to give people that tool, that thing, that answer, 'Well, what are you going to do after Katrina? How does New Orleans come back?' And I'm thinking to myself, New Orleans is back. We're the definition of 'back.' We're the definition of 'rebirth,' of 'renaissance.'
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When I was ten years old, I had great pride in myself, which sometimes even took the form of boasting and self-praise; although I myself did not want to, I used to assume the air of someone undertaking some great work and mighty act of heroism.
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I never really do the New Year's Resolution thing. I kind of just try to stay focused, not get too distracted, and do the best I can. And that's something I like to tell myself every year around New Year's.
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In the spring of 1993, I married Beverly and moved to the woods. This is something I could never have imagined myself doing.
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When it comes to the personal essays I write, I just convince myself that no one will ever read them.
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I do a lot of thrifting, but I don't go shopping in a concerted way very often. I find things by accident that I can't talk myself out of, like armadillo purses.
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My first novel was a challenge to myself. No one had an inkling that I was working on it.
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Before I gave birth to Hope, I had a miscarriage. The pain was so enormous, I had to write myself out of it. I kept a diary and did not feel entirely complete until Hope was born.
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It's very important to me that people who are actual chefs and other professionals in the culinary world, understand that I'm not, and have never held myself out as being, like a CIA trained chef.
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I had to give myself permission to act, then others agreed.
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'New Jack City' was a perfect marriage of music and film. They used a lot of musicians: myself, Christopher Williams. People that were popular because of their music were given the chance to act. And the soundtrack was incredible.
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I don't really consider myself to be famous.
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I'm aware of the decisions I make and the responsibility I have as a role model. I wouldn't disregard that. It's a privilege. That's not to say people don't make mistakes - we're all human. No one's perfect. I'm just going to be myself.
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I have such a dancer's spirit that I tend to leap around the house. Once I leaped onto my bed and landed on the floor. But I danced more for myself than I did for other people.
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I want to write my own stuff, and, you know, it would be nice to put myself in it. But I would like to hope that there are going to be better roles offered as well and that I don't need to do everything. You know, like, I appreciate my career being somewhat DIY, but it would be nice to get some help.
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Modeling is exciting, but I certainly felt frustrated that I couldn't speak out or express myself. I always wanted to express my desires in some other medium.
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It's an endless proving of myself, that I really am a musician, that I have something to offer in the room. That women can be musicians, women can be rock stars, women can be more than an objectified idea of a pop star.
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I don't consider myself a fashion designer.
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I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I wanted to make films.
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Cannes is a sort of gladiators' arena, and that's the fun part of it. When you accept to come here to open the festival, you know you are going to be criticised. I have no problem with the fact that I expose myself and the movie, and it's normal that I can disagree with the way some people feel.
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I have to remind myself constantly that people actually want to hear the music I've made; that's hard for me to digest. I think a live audience is the only tangible evidence you can have that your work is making an impact. It's really humbling.
