Myself Quotes
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I said to myself as Junction Point embarked on the Epic Mickey journey that, worst case, we'd be 'a footnote in Disney history.' Looking back on it, I think we did far better than that.
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I don't see myself as the boss. I sing and write the songs, and it would feel strange if somebody else wrote the lyrics I sang.
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I've never considered myself to be a fashionista type of guy.
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Of course it would depend on the project, but I don't think I could ever separate myself from my aesthetic.
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I didn't like children. I didn't think of myself as a child. I didn't like any of the things other children were interested in.
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With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind.
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With 'Palo Alto' as the catalyst, I've surrounded myself with people that have kind of created a world where I can feel like I'm not gonna be judged for doing something that I want to do.
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I try to play like I did when I was a young boy playing in my garden. Sometimes it's good, sometimes it's not so good, but I try to always make sure I give my best to help the team, even if I am not having the best game myself.
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I actually interviewed other people about myself, and that alerted me to the fact that I had to really investigate my memories.
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When you're singing you can hear the echo of people in the audience singing every single word with you, and that was that big dream that I had for myself. It's happening.
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For 'A Little Night Music,' I did try to get little bit more beefed up for that because I thought that would help me carry myself around the stage in that character.
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Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.
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When I was rising eighteen I persuaded my parents to let me return to Australia and at least see whether I could adapt myself to life on the land before going up to Cambridge.
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To be completely honest, it's shocking to me that I keep getting the villain roles! I do not see myself as the villain and I know, growing up, I was the opposite of a villain. I would never try to be a villain to anyone - but maybe other people I grew up with feel differently about that.
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One thing I want to make clear, as far as my own rebirth is concerned, the final authority is myself and no one else, and obviously not China's Communists.
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I find the whole concept of women screaming at me so odd. It's very flattering, but I don't think I will ever consider myself to be a sex symbol.
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I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
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I have vitamins I intend to take to be a better person. I even have a pillbox for them to remind myself to be healthier. But will I take them? Definitely not.
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I will always be an actress. I couldn't see myself without acting. But I'd love to direct and keep writing. I don't think one has to be in place of the other.
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I won't put myself in a position where I'm vulnerable.
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I learned a long time ago in Hollywood that the only person I should vote for is myself.
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Most professional women I know - myself included - long since gave up looking for a rulebook or a roadmap; we make it up as we go along. Every day presents a new choice, a new challenge, which makes long-term career planning seem like an especially abstract exercise.
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I just write what I wanted to write. I write what amuses me. It's totally for myself. I never in my wildest dreams expected this popularity.
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I'm not 'one of the guys.' I don't want to pretend to be one on stage. I'm not going to dress like a guy or carry myself like one.