Myself Quotes
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I don't want to limit myself musically. It would be really limiting if we'd neglect something we really want to do, like explore other styles of music.
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I've got many different voices - I have a Southern girl, an Irish girl. I have a gibberish language that you'd have to decipher. I guess I try to never take myself too seriously.
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I only write music for myself, I don't try and appeal to anyone else.
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I never call myself a singer, ever. I never will. I've always been really embarrassed about my voice. I've never been confident about it. I think it's a little bit better now than when I first started. There are people I admire who are genuinely brilliant singers and I know the difference between what they can do and what I can do.
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If I was freer than I had ever been in my life, I was not yet entirely free, for I still hung on to an idea that had been set deep in me by all my schooling so far: I was a bright boy and I ought to make something out of myself... something else that would be a cut or two above my humble origins.
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We're all unique as actors. To yourself, you are unique. You have to think, 'I'm me. I'm not going to bunch myself with other people.' Agents and producers have to get you into a box to accommodate their limited imaginations.
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I hate being interviewed. I'm like, 'Aaaarrgghh!' I don't like talking about myself.
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Of course, I consider myself a feminist, but I wouldn't say I'm a feminist genius or anything.
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I can apply myself to the format of 'SNL,' I can apply myself to the format of 'Conan,' but at the same time, I'm still being J. B. Smoove. I'm not changing up my style, I'm not changing up how I think, what's funny to me, my delivery, the way I carry myself.
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We have a couple of dogs, but I wouldn't describe myself as an animal person.
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I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.
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I'm Louis the Tommo Tomlinson!
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If I ran into a 19-year-old version of myself, I'd just tell her to live, full out. I might also tell her to go ahead and have a few babies and not worry about the timing of it.
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When I was asked to come over to the States, I thought to myself, 'What the Americans are very good at doing is creating stories with strong movement and plots that carry the movie as it goes along.'
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I was able to support myself by acting alone about six years ago. Until then, I was just scraping by.
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I'm a small and normal girl, and stories like mine no one likes to tell. Fortunately so, because I wouldn't like to play myself.
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I considered myself most unfortunate because God had made me inhabit a female body in this world
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I want to be fulfilled in myself, rather than try to follow exactly in my father's footsteps.
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Wish there was something that I could say or do, I can resist anything but the temptation from you. But I'd rather walk alone than chase you around, I'd rather fall myself then let you drag me on down.
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I really believe in myself.
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Writing is a good example of self-abandonment. I never completely forget myself except when I am writing and I am never more completely myself than when I am writing.
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The most important lesson I've learned is to not limit myself. Kids at my age often get intimidated by the idea of adulthood and feel like they have to know exactly who they are and what they want to do with their lives. I've realized that it's okay to take my time figuring it out and exploring different aspects of myself instead of fixating on one idea of who I am.
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I never intend to adjust myself to the madness of militarism.
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Whenever I'm writing a script, I'm scoring myself by playing the right kind of music.
