Myself Quotes
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Women's art, political art - those categorisations perpetuate a certain kind of marginality which I'm resistant to. But I absolutely define myself as a feminist.
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I only write music for myself, I don't try and appeal to anyone else.
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My mentality is: I'm going to do it. I'm going to eat a lot of food, and then I'm going to complain about it when I see myself on camera.
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Pretty much everyday, there's a moment where I'm having to pinch myself and think, 'When did this happen to my life?'
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I can't not put myself in the shoes of every person I pass.
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I wash my face and put moisturiser on; I've never had a facial, and I don't get my hair or my nails done. I just do it all myself.
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I never call myself a singer, ever. I never will. I've always been really embarrassed about my voice. I've never been confident about it. I think it's a little bit better now than when I first started. There are people I admire who are genuinely brilliant singers and I know the difference between what they can do and what I can do.
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If I was freer than I had ever been in my life, I was not yet entirely free, for I still hung on to an idea that had been set deep in me by all my schooling so far: I was a bright boy and I ought to make something out of myself... something else that would be a cut or two above my humble origins.
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We're all unique as actors. To yourself, you are unique. You have to think, 'I'm me. I'm not going to bunch myself with other people.' Agents and producers have to get you into a box to accommodate their limited imaginations.
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I didn't do a masters in creative writing until I was 26, which is quite old, and then I found myself in New York and I needed money, so I started working full time as an editor.
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I want to be fulfilled in myself, rather than try to follow exactly in my father's footsteps.
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Wish there was something that I could say or do, I can resist anything but the temptation from you. But I'd rather walk alone than chase you around, I'd rather fall myself then let you drag me on down.
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I'm Danny Worsnop and I slay poon.
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The most important lesson I've learned is to not limit myself. Kids at my age often get intimidated by the idea of adulthood and feel like they have to know exactly who they are and what they want to do with their lives. I've realized that it's okay to take my time figuring it out and exploring different aspects of myself instead of fixating on one idea of who I am.
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I was able to support myself by acting alone about six years ago. Until then, I was just scraping by.
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I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.
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I hate being interviewed. I'm like, 'Aaaarrgghh!' I don't like talking about myself.
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When I was asked to come over to the States, I thought to myself, 'What the Americans are very good at doing is creating stories with strong movement and plots that carry the movie as it goes along.'
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I obviously do everything to be "hard to understand" myself.
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As a child, I amused myself by making up stories. I'd lie in bed when I was supposed to be sleeping and imagine other lands where people were doing fascinating things. By fifth grade, I knew I wanted to be a writer, but it took several more decades to really find my way as an author.
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Writing is a good example of self-abandonment. I never completely forget myself except when I am writing and I am never more completely myself than when I am writing.
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I saw myself as an outsider as a teen. I was home-schooled and got my G.E.D. when I was 16; I wasn't interested in high school at all and figured that college might be more entertaining.
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I don't find myself to be the kind of person who is easily swayed.
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If I ran into a 19-year-old version of myself, I'd just tell her to live, full out. I might also tell her to go ahead and have a few babies and not worry about the timing of it.
