Design Quotes
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Apart from photography and music videos, I also do graphic design.
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I think it's really important to design things with a kind of personality.
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When you work with web design companies in San Francisco, you end up with a bunch of twenty-somethings who have their own cultural peculiarities, including obscurity for its own sake. You give those guys a website for a banking institution and they screw it up, because they are designing for themselves.
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Listen, my father had written. Listen to hear if they are telling the truth or only part of the truth, for that is the lesson of history: that the victors tell the tale of their triumph in a manner to grant accolades to themselves and heap blame upon their rivals. Ask yourself if part of the story is being withheld by design or ignorance.
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I fervently believe in research as a necessity for good design, and I teach it that way.
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Independent graphic novelists have already achieved good work in terms of design, but all these great minds are writing in English. There is a need for people to write in Hindi.
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Every other piece of industrial design is a pot or a dish or something insignificant. But when you have a chair, it's like a sculpture of a person: it's alive. It's big. You can't miss it. It's a 'look at me!' item.
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It isn't obvious and it took us a while to demonstrate that we could actually design a machine that bends.
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I don't know if you know it, J.B., but you're the sort of fellow who causes hundreds to fall under suspicion when he's found stabbed in his library with a paper-knife of Oriental design.
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We design our own programmes; we take leadership. Of course the donors come in to support us, to complement our efforts. Our responsibility to the donors is about accountability: about how we use that money. If somebody gives you his money, definitely he will be interested in knowing how you spend the money.
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At the height of the first great dot-com boom, Craig Kanarick, then in his early 30s, was running Razorfish, a Web design firm he'd co-founded with an old friend, which at its peak had 2,300 employees in nine countries.
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I came from product design originally - I had been designing dolls for a toy company since I was 16 - so I'm used to working with plastic and different things. I had an innate interest in objects.
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I have had this view of the optimization of the electrode design for a long time. Historically we went through various phases in the work and eventually worked on large sheets - very large sheets - of palladium.
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Through our evolution, we're so specialized for social interaction. So, if you can really design robots that can interact with people, in this very natural, interpersonal way, I think that would be great. You wouldn't have to have people read manuals, in order to operate them.
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My opportunity to design school choice systems began in 2003 with a phone call from Jeremy Lack at the New York City Department of Education. He knew of my work on the medical match and wondered if similar efforts might help reorganize the dysfunctional, congested system then used to match students to high schools.
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Learning to program has no more to do with designing interactive software than learning to touch type has to do with writing poetry
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I love Janet Jackson and her creative set design.
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The wisdom of crowds works when the crowd is choosing the price of an ox, when there's a single numeric average. But if it's a design or something that matters, the decision is made by committee, and that's crap. You want people and groups who are able to think thoughts before they share.
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I think there is always a need for pure design. With pure design, you don't need so much decoration.
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I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.
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No design works unless it embodies ideas that are held common by the people for whom the object is intended.
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In contemplating what to do with my life, I felt like I had two possible paths: one was to move to New York and work in a design house; the other was to move to Africa and deliver food aid. That's when the idea of the FEED bag came to me. It's for those who want to put their consumer dollars to good use.
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It's all in how you arrange the thing... the careful balance of the design is the motion.
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You can't refuse to move forward when you're educating in design, because that's what we're asking students to do the whole time.
